Los Angeles ? Hollywood writers got their first look Saturday at details of a tentative agreement with studios that could put the strike-crippled entertainment industry back to work, an offer the union’s East Coast president said he was endorsing.

A summary of the proposed deal crafted this week was posted on the Writers Guild of America’s Web site hours before members attended meetings in New York and Los Angeles.

Compensation for projects delivered via digital media was the central issue in the 3-month-old walkout, which idled thousands of workers, disrupted the TV season and moviemaking and took the shine off Hollywood’s awards season.

“I believe it is a good deal. I am going to be recommending this deal to our membership,” Michael Winship, president of the Writers Guild of America, East, told reporters before the New York meeting at a Times Square hotel.

Winship said afterward that he was encouraged by the membership’s response.

“We had a very lively discussion. I’m happy with what happened. … At the moment, I feel strongly it (the proposed deal) has a strong chance of going through,” he said.

Writers leaving the two-hour-plus New York meeting characterized the reaction as generally positive and said there was cautious optimism that the end of the strike – the guild’s first in 20 years – could be near.

“There’s a general feeling of tremendous success. I was delighted,” said TV writer John Simmons, who estimated that about 500 writers were on hand. “We agreed that this looks pretty good. … It bodes well for the future.”

He added that there are “always some people who will dissent” and that the complex deal required further scrutiny.

Carmen Culver, a film and TV writer, lauded the guild “for hanging tough.”

“It’s a great day for the labor movement. We have suffered a lot of privation in order to achieve what we’ve achieved,” Culver said.

Michael Moore, the Oscar-winning documentary filmmaker (“Bowling for Columbine”) and a nominee this year for his health-care film “Sicko,” attended the New York meeting.

“It’s an historic moment for labor in this country,” Moore told The Associated Press.

Hundreds of writers filed into the Shrine Auditorium in Los Angeles to hear from union leaders about the proposed deal. Some were cautiously optimistic that they could begin work by next week.

“I’m hopeful. We’ve been jerked around so much by the studios,” film writer Brian Suskind said. “I don’t think we’re feeling vindictive, but we’re angry about how we’ve been treated.”

If guild members on both coasts react favorably to the proposed deal, the guild’s board could vote today to lift the strike order and the industry could be up and running Monday. This month’s Oscars ceremony, which has been under the cloud of a union and actors boycott, also would be a winner.

Today’s Grammy Awards ceremony has a picket-free pass from the union.

Winship cautioned that it’s not a “done deal” until the contract is ratified by members. He also said that several steps must be taken before the West guild’s board and East guild’s council decide to lift the strike order.

“It conceivably could be Monday, but there are several different alternative ways that the board and council could determine how this should be dealt with,” Winship said.

An outline of the three-year deal was reached in recent talks between media executives and the guild, with lawyers then drafting the contract language that was concluded Friday.

According to the guild’s summary, the deal provides union jurisdiction over projects created for the Internet based on certain guidelines, sets compensation for streamed, ad-supported programs and increases residuals for downloaded movies and TV programs.

The writers deal is similar to one reached last month by the Directors Guild of America, including a provision that compensation for ad-supported streaming doesn’t kick in until after a window of between 17 to 24 days deemed “promotional” by the studios.