Archive for Friday, January 1, 2010

Top 10 movies of the decade

Eternal Sunshine of the Spotless Mind.

Eternal Sunshine of the Spotless Mind.

January 1, 2010


This decade proved a great one for genre films.

If anything, it could be remembered as the decade that fantasy/sci-fi/action films really grew up. Of course, Peter Jackson created the critically and commercially successful "Lord of the Rings" trilogy, capping it all off with the first Best Picture win for a fantasy movie ever in 2004. Looking back at the best works from 2000-2009, there are plenty of films that creatively combined genre elements to reach a higher cinematic truth. It was extremely hard to pick just 10.



10. Munich (2005) and A.I. Artificial Intelligence (2002)

Steven Spielberg made both of these soul-shaking films in the first half of the decade. "Munich" is set in the early 1970s, but grapples with the still unsolvable Israeli/Palestinian conflict. Rather than give us a civics lecture, Spielberg uses his skill at concocting thrillers to put the viewer in the shoes of Eric Bana and his conscience-stricken team of Israeli assassins as they violently avenge the 1972 Munich Olympics massacre. Concurrently, viewers must weigh the human consequences of an escalating terrorist war. "Munich" is mature, thought-provoking work from a director who, despite complicated turmoil from his own political/religious camp, is not afraid to wear his heart on his sleeve. With "A.I.," Spielberg profiled a robot boy (Haley Joel Osment) programmed to give unconditional love. Finishing an ambitious project originally started by Stanley Kubrick, it remains a rumination on the lengths at which people will go to counter a devastating loss. The tricky (and often misunderstood) ending theorizes that trying to remedy the situation with technology could result in heartbreak a million fold.

9. Where the Wild Things Are (2009)

Spike Jonze's adaptation of the controversial Maurice Sendak children's book turned out to be - guess what? - controversial. Jonze and co-writer Dave Eggers re-imagined the mysterious "wild things" as tightly wound balls of insecurity and brought them to life with a combination of giant furry costumes, wonderful computer-generated facial expressions, and expressive voicework. After lashing out as his mother and sister, 9-year old Max spends his time on the island confronting his own feelings and doing some growing up of his own, especially after realizing how hard it is to be a leader. While they may not understand the storytelling devices used in the movie, children will understand the raw emotion and relate to a kid who's just trying to figure out the world he lives in. Also - parents, be warned: There are some moments that may frighten small children, just like other classic children's movies such as "Bambi" and "The Wizard of Oz." Watch our video review.

The Aviator.

The Aviator.

8. The Aviator (2004)

Martin Scorsese's detailed and epic biopic of Howard Hughes' early years in Hollywood is filled with all the glitz and glamour of Tinseltown in its heyday, but profiles a larger-than-life public figure whose daring and confidence were soon to be destroyed completely by mental illness. Leonardo DiCaprio is so restrained and natural as Hughes that it's easy to overlook the magnitude of this performance - the actor is in virtually every scene in the two-and-a-half hour film and undergoes a thorough transformation. Cate Blanchett earned a well-deserved Oscar for channeling screen legend Katherine Hepburn, and Scorsese is at the top of his game, juggling one historic event after another while keeping the story rooted in Hughes' growing alienation. That personal focus gives "The Aviator" an emotional wallop that's quite unexpected. Read our full review.

7. The Wrestler (2008)

Here's a film that hinges on the authenticity of its main character even more than "The Aviator." Since director Darren Aronofsky went for an ultra-realistic narrative style with point-of-view camerawork, Mickey Rourke had to be thoroughly convincing. The result was one of the most poignant films of the past 10 years, even if it does revolve around a big guy in green tights who gets beat up for a living. "The Wrestler" chronicles his attempts to connect with a single-mom stripper (Marisa Tomei) and his struggle to come to terms with his wreck of a life. Rourke is eminently likable, and his formidable charisma also results in some unexpectedly funny and tender moments as well. "The Wrestler" comes with all Rourke's hard-scrabble emotional baggage, and it feels so real, it doesn't even look like acting. Watch our video review.



6. Memento (2000)

How often does a thriller come along that feels like a reinvention of the genre? Before he reinvigorated the superhero movie as a serious crime drama in "The Dark Knight," Christopher Nolan helmed this ingenious low-budget head-spinner about Leonard Shelby (Guy Pearce), a man who is trying to solve the murder of his wife but has no short-term memory. In order to similarly handicap the audience, Nolan tells Leonard's story in reverse-order 10-minute snippets while also advancing a flashback memory chronologically. Believe it or not, for all its structural gimmickry, "Memento" delivers in spades. It explores the ultimate reason for memory's existence and how it relates to our identity as human beings.

No Country for Old Men.

No Country for Old Men.

5. No Country for Old Men (2007)

Joel and Ethan Coen's Best Picture winner is a white-knuckle suspense movie and an existential discourse. Adapting Cormac McCarthy's novel, the Coens use the widescreen pallet of the Old West as a backdrop to sustain a pit-in-your-stomach feeling of unpredictable dread. Tommy Lee Jones' philosophical musings anchor the film as he searches for meaning in life through the actions of his father and Texas lawmen of the past. Enter Javier Bardem's pageboy from Hell - Anton Chigurh - who besides being the scariest movie character since Hannibal Lecter, also represents the whole of that uncaring universe. When the plot goes off the rails toward the end, it is nothing less than the destruction of the suspense movie. There is no final showdown. The main character is dispatched offscreen, and it throws the audience off completely. Don't worry. Jones' Sheriff Bell is confused too, and the only thing he can do is stick to the code of justice that he's familiar with. It's that uncertainty that drives the entire movie. Read our full review.

Almost Famous.

Almost Famous.

4. Almost Famous (2000)

Cameron Crowe's semi-autobiographical masterpiece is set in the '70s and brimming to the top with perfectly realized period detail and authenticity, but its story is timeless. A budding teenage rock journalist (Patrick Fugit) learns some hard truths about friendship, loyalty and being true to oneself when he goes on the road with a second-tier rock band. Crowe received a richly deserved Oscar for the ambitious screenplay - which contains some of the funniest, smartest and most quotable lines of any movie in recent memory - and elucidates the both blissful transcendence and pitiful ironies of rock 'n' roll. Let's not forget the actors who round out the movie's amazing ensemble: Philip Seymour Hoffman, Kate Hudson, Jason Lee, Frances McDormand, Billy Crudup, Zooey Deschanel, Anna Paquin, Noah Taylor and Fairuza Balk.

There Will Be Blood.

There Will Be Blood.

3. There Will Be Blood (2007)

From the first "silent" reel of Paul Thomas Anderson's epic paean to corrupted American ambition, "There Will Be Blood" is a uniquely gripping experience. Anchored by an Oscar-winning, tour-de-force performance from Daniel Day-Lewis, the film is a disturbing and darkly funny portrait of a man who slowly and completely loses his humanity. Gorgeous 35mm cinematography makes the sprawling desert and spurting oil rigs come alive. "There Will Be Blood" is also shot with enough "magic hour" natural light to rival even Terrence Malick's famously ethereal "Days of Heaven." Anderson's script explores and sometimes celebrates (in its own twisted way) the unchecked ambition of extraordinary men. When Plainview's insatiable greed meets the driven appetite of a young preacher (Paul Dano), it brings out the worst in both men and sets up a classic conflict of the ages. Read our full review.

2. Children of Men (2006)

Alfonso Cuaron's stirring sci-fi drama has in spades what many of its contemporaries lack: a sense of immediacy. This comes partly from an apocalyptic setting that's 20 years in the future but doesn't seem too far from today and partly from the most visceral action scenes in years. Cuaron's single-take, single-camera point of view during two remarkable sequences keep the audience rooted in the urgency of the crisis while the film keeps the audience thinking. The human race's sudden, unexplained infertility plunges the world into chaos, but it's just a more aggressive extension of modern issues. Clive Owen is the perfect modern hero - a cynical, emotionally bruised man who must rise to the occasion when a huge responsibility comes out of nowhere. A shell-shocked former political activist, he carries the burden with the rugged determination of someone who hasn't had a reason to live in years. It may have been filmed during a time of political upheaval, but with new worldwide economic and environmental directions being plotted every day, Cuaron's exceptional piece of pure cinema is a timely plea for rational thought and hope against all odds. Read our full review.

Eternal Sunshine of the Spotless Mind.

Eternal Sunshine of the Spotless Mind.

1. Eternal Sunshine of the Spotless Mind (2004)

Director Michel Gondry and screenwriter Charlie Kaufman put together that rare film that fits easily into no genre and intrigues both the mind and the soul. Repeated viewings only increase the notion that this movie is an undisputed classic. Through a broken-up couple that wants to "erase" each other from their memories, the film poses many questions about love, fate and memory while teasing the viewer with a narrative that gives new meaning to the word "fractured." The most impressive part? It all makes clear emotional sense. Jim Carrey and Kate Winslet are the perfect complicated couple - they fight just as much as they love, experiencing the highs and lows of their time together. The film reminds us that even the bad memories are key to our very sense of being. As Carrey struggles to regain his memories, they disappear before our very eyes with unmatched creativity. Gondry's endless bag of lo-fi visual tricks fits perfectly with the idea that a mechanical device the shape of a carburetor could suck specific memories out of your head forever. But don't let the inventive special effects fool you. "Eternal Sunshine of the Spotless Mind" is as honest and true an examination as you'll ever get about the intricacies of romantic companionship, and it is the best film of the decade. Read our full review.

— Photos special to the Journal-World.


Jerry Collins 8 years, 1 month ago

Like most reviewers, this one has his head so for up his *#%, trying to be artsy. There are at least 40 movies I enjoyed more than any of these. Everyone has a right to their likes and dislikes. But for the rest of you readers, don't feel 'out of it' if these selections didn't make your top ten. You can't tell us what we should like!

rollcar 8 years, 1 month ago

I agree, GOCAWO. Believe it or not, this list actually contains a couple of my least favorite movies of the decade! That doesn't mean either of us are right are wrong, but it always bugs me when someone tells me what to like. Not under the context of an opinion, but as a statement of fact like "the best" something...

All this list is missing is Donnie Darko, and it would truly be craptacular (in my opinion, of course)!

Leslie Swearingen 8 years, 1 month ago

Twilight New Moon Dark Knight Iron Man Sherlock Holmes Transporter 3 Fast and the Furious Start Trek Harry Potter Saw 6

Flap Doodle 8 years, 1 month ago

The Wrestler was a hellvua movie. It would go on my top 10 list of the decade. Any remake movie, any movie that takes the title of a famous book & ignores the vast majority of the text of said book, any paint-by-numbers happy-sappy heart-warming CGI movie, most any movie Lucas or Spielberg has put their grubby paws on since 2000, they will be darned to the pits of heck.

Leslie Swearingen 8 years, 1 month ago

This Philistine goes to the movies once a week. Oh, forgot, Lucky Number Sleven 16 Blocks Alpha Dog Live Free or Die Hard Indiana Jones

Flap Doodle 8 years, 1 month ago

Best gimmick movie, Cloverfield. Best movie adapted from another medium, Sin City

Jerry Collins 8 years, 1 month ago

RE: Liberty_One post Philistines? Typical of snobish thinking that thinks they are above all us 'common' folks. We are not capable of making a decision on our likes and dislikes, and definately not capable of recognizing superior 'artistic' film work. I stand by my post-prudish %@#holes.

TheYetiSpeaks 8 years, 1 month ago

This is a ridiculous list. Only a few of his top 10 even deserve consideration as top 10 movie of the decade. Someone nailed it earlier, this guy wants everyone to see how artsy he is. I have no time for a list of this nature that does not include City of God and at least give consideration to Royal Tenenbaums and at least one of the Lord of the Rings movies......I mean A.I.????? Is that a joke?

jniccum 8 years, 1 month ago

In case you’re wondering, here’s my decade list in alphabetical order:

• Almost Famous • Children of Men • Eternal Sunshine of the Spotless Mind • Memento • No Country for Old Men • Once • Pan’s Labyrinth • Pixar -- every feature the studio released this decade except Cars • Traffic • The Wrestler

sfjayhawk 8 years, 1 month ago

Both Munich and AI totally were marginal at best. The Aviator and Momento were good, but not even close to one of the best. Not sure what my list is, but I think Million Dollar Baby, the Lord of the Rings are on it.

sfjayhawk 8 years, 1 month ago

Oh, and I thought Slumdog was excellent - on my list too.

ldvander 8 years, 1 month ago

3000 Miles to Graceland!!! What's up

Leslie Swearingen 8 years, 1 month ago

Fearless with Jet Li The movie that Jet Li did with Jackie Chan 300 Wow!

Amy Bartle 8 years, 1 month ago

Thanks Niccum for posting your faves. How about: Slum Dog Millionaire Napoleon Dynamite Little Miss Sunshine Best in Show (was it released this past decade) Gran Torino Departed

scary_manilow 8 years, 1 month ago

Posted without snarky comment-- and believe me, I could have made a few:

10- Hedwig and the Angry Inch 9- The Proposition 8- The Saddest Music in the World 7- A Very Long Engagement 6- Y Tu Mama Tambien 5- Oldboy 4- Far From Heaven 3- City of God 2- Let the Right One In 1- Mulholland Drive

Honorable Mentions: Dancer in the Dark, American Splendor, Before Night Falls, No Country For Old Men, The Devil's Backbone, Battle Royale, and The American Astronaut

Movies I didn't see which may have made the list: Ponyo, Waltz With Bashir, and Antichrist

EARTHFIRSTER 8 years, 1 month ago

I ride herd with GOCAWR, this list is absurdly boring, ALL of it! I watch movies very closely and although I missed some microclassics at Liberty Hall, this is a list of 2 out of 10 stars movies. Munich? AI? Almost Famous(like Lawrence)? Where the Wild Things Are? These were definitely on my MUST MISS list! Maurice Sendak is hereby placed in movie prison for writing stories that gave me repetitive nightmares for years. Munich, a glamourized tragedy. I will automatically pass up any movie this person recommends. This reviewer is worse than any movie rental store employee, ever.

beawolf 8 years, 1 month ago

It may be a boring list but it did get me to thinking about some of my favorites and I'm going to make sure I watch them again real soon.

A Mighty Wind. Iron Man. Gran Torino. Ratatouille. Once. 3:10 to Yuma. O Brother where art thou.

Bill Lee 8 years, 1 month ago

I think most people missed the point of the list. It doesn't claim to be the ten most popular, or the ten most enjoyable, it's a list of the ten "best." That may be a subjective term, but the basis of the choices was on their artfulness...things like writing, directing, editing, photography, set and costume design. Some of my favorite movies are "great," while some are silly pleasures that I simpy enjoy for personal reasons.

EARTHFIRSTER 8 years, 1 month ago

Sorry Mr Lee, these and his 20 runner ups on are just awful. These movies appeal to the lowest common denominator that acts particular but is really just poorly dressed. And the proclamation in his intro, "there are plenty of movies that combine genre elements to reach a higher cinematic truth" is the most meaningless sentence ever. The Wrestler was solid, just as Rumble Fish with Mickey Rourke in 1983 was solid(excellent). Crouching Tiger, Hidden Dragon also was excellent as was The Killer from 1991 with Chow Yun Fat. Mystical transcendence in the face of insurmountable and particularly personal obstacles and ideals makes for good films. But what genre elements combined to form a higher cinematic truth? Re ridiculous.

Commenting has been disabled for this item.