Admirers recall August Wilson’s impact on theater

Two-time Pulitzer Prize-winning playwright honored Saturday during service, memorial

? Admirers of playwright August Wilson vowed Saturday at his funeral to ensure that future generations are exposed to Wilson’s tales of black struggle in 20th century America.

The two-time Pulitzer Prize-winning Wilson died of liver cancer Oct. 2 in Seattle. He was 60.

Pallbearers carry the casket of award-winning playwright August Wilson to his grave site Saturday in Greenwood Cemetery in Sharpsburg, Pa. The two-time Pulitzer Prize-winning Wilson, 60, died of liver cancer last Sunday in Seattle. Wilson's plays dealt with the effects of slavery on generations of black Americans, and at his funeral Saturday, Wilson's admirers vowed that the playwright will continue to have a lasting influence on many more in the future.

“You will not be a footnote in American history. We guarantee the young kids will know who August Wilson is,” Kenny Leon, artistic director for the True Colors Theater Company in Atlanta, told several hundred dignitaries, theater celebrities and others who gathered for the service at the Soldiers and Sailors National Military Museum and Memorial.

Leon, a Broadway veteran, directed “Gem of the Ocean” on Broadway and Wilson’s most recent play, “Radio Golf,” in Los Angeles.

The funeral was held in Wilson’s hometown of Pittsburgh, the setting for nine plays in his epic 10-play cycle that explored black America. The series included such dramas as “Fences,” “Ma Rainey’s Black Bottom” and “The Piano Lesson,” which starred veteran stage, TV and movie actor Charles S. Dutton.

“When I read ‘The Piano Lesson,’ I realized it encompassed the entire African-American experience,” Dutton said after the funeral. “August Wilson’s legacy is as important as Martin Luther King’s legacy, as important as Malcolm X’s legacy and as important as Nat Turner.”

Actors Dutton, Phylicia Rashad, Anthony Chisholm and Ruben Santiago-Hudson read passages from four of Wilson’s plays.

“Death ain’t nothing but a fastball on the outside corner, and you know what I’ll do to that,” Dutton said, reading from “Fences.”