Mexico issues cartoon character stamps weeks after racial flap

? The Mexican government has issued postage stamps depicting an exaggerated black cartoon character known as Memin Pinguin, just weeks after remarks by President Vicente Fox angered U.S. blacks.

The series of five stamps released Wednesday depicts a hapless boy drawn with exaggerated features, thick lips and wide-open eyes. His appearance, speech and mannerisms are the subject of kidding by white characters in the comic book, which started in the 1940s and is still published in Mexico.

Activists criticized the stamps as offensive, though officials denied it.

“One would hope the Mexican government would be a little more careful and avoid continually opening wounds,” said Sergio Penalosa, an activist in Mexico’s small black community on the southern Pacific coast.

“But we’ve learned to expect anything from this government, just anything,” Penalosa said.

In May, Fox riled many by saying Mexican migrants take jobs in the United States that “not even blacks” want. Fox later expressed regret for any offense the remarks may have caused, but he insisted his comments had been misinterpreted.

A series of five stamps was released for general use on Wednesday, issued by the Mexican government depicting an exaggerated black cartoon character known as Memin Pinguin, a child character from a comic book started in the 1940s that is still published in Mexico.

Carlos Caballero, assistant marketing director for the Mexican Postal Service, said the new stamps are not offensive, nor were they intended to be.

“This is a traditional character that reflects part of Mexico’s culture,” Caballero said. “His mischievous nature is part of that character.”

However, Penalosa said many Mexicans still assume all blacks are foreigners, despite the fact that at one point early in the Spanish colonial era, Africans outnumbered Spanish in Mexico.

“At this point in time, it was probably pretty insensitive” to issue the stamps, said Elisa Velazquez, an anthropologist who studies Mexico’s black communities for the National Institute of Anthropology and History.

“This character is a classic, but it’s from another era,” Velazquez said. “It’s a stereotype, and you don’t want to encourage ignorance or prejudices.”