Concert mingles light, dark sides of dance
The light and dark sides of dance will mingle next weekend at the Lawrence Arts Center when the Prairie Wind Dancers present an Evening of New Works.
The show will spotlight works choreographed by members of the dance troupe. Performances are Friday and Saturday at the center’s theater.
If you’re a regular reader of Behind the Lens, you probably have an interest in the changing technology of cameras, as well as how to take photographs. You may be considering switching from film to digital and wrestling with what kind of camera would best fit your needs. To give you an idea of the differences in camera technology and their intended uses, I will compare two digitals that I use. On the left, weighing in at 5 pounds, 5 ounces is a Nikon D1H, with the equivalent of a 25-50mm zoom lens and a Nikon flash. On the right, weighing in at 4 ounces is a Pentax Optio S4, with a retractable 35-105mm zoom lens and a built-in flash. The S4 actually fits inside the Altoids can behind the camera. The Nikon is the camera used by the staff at the Journal-World. The Pentax is my personal, pocketable, point ‘n’ shoot. Pretty cool. In a head-to-head match, the Nikon would pin the Pentax most of the time. But depending on your needs there are advantages and disadvantages to both cameras that may affect your choice. The professional-caliber Nikon will accept interchangeable lenses, has a high-quality metal body to withstand heavy use, can fire up to three frames a second — and when you wear it around your neck, everyone knows you’re a photographer. It also costs 10 times as much as the Pentax, is heavy to hold and carry for long periods of time — and when you wear it around your neck, it hurts. And everyone knows you’re a photographer. With the Optio S4, you can carry it in your pocket, it can record motion video at 15 frames per second with sound, and it has a voice-only recording mode and a super macro mode that focuses down to 2.4 inches. But it is more susceptible to damage, it has a slight delay in firing the shutter, the flash is not very powerful and the image quality, while good enough for 8-by-10 prints, is not as good as the Nikon. Both cameras serve their purpose for me. And while I could use the Pentax for some newspaper assignments, there’s no way I can fit my Nikon in the Altoids can. My real problem now is figuring out where to put all the loose mints. — “Behind the Lens” is an ongoing weekly series that features an image selected by the Journal-World photo staff that previously ran in the newspaper or online. Wondering how a certain picture was created? Nominate it for “Behind the Lens” by contacting chief photographer Mike Yoder at 832-7141 or myoder@ljworld.com.
The performance will have something to please nearly everyone, said Candi Baker, artistic director of the company, because upbeat, lighthearted pieces will mix with more serious works.
“You feel very satisfied after leaving the show because you’ve laughed and cried, so to speak,” she said. “You will be moved emotionally and moved intellectually.”
Baker’s own piece will be one of the serious works as she gives the audience a sneak preview of a project she is working on for October, which is Breast Cancer Awareness Month. Baker is recruiting area artists for the October show, the concept of which is still in progress.
For next week’s show, the company will dance to poems read by Lawrence writer Caryn Mirriam-Goldberg. She wrote the poems while she fought breast cancer and they chronicle her experience from finding out about the disease, through chemotherapy and to eventual recovery. Dancers also will perform to “Wings,” by Kelley Hunt, a singer and songwriter from the area. Hunt lost a childhood friend to breast cancer and has been involved in the cause ever since.
Baker, a breast cancer survivor, said she is putting the show together now largely because she is approaching five years in remission, a common measurement of survival rates.
“I was looking at an event a Monte Ray artist had done in California, and it struck me that it was time to look at this through my art,” she said.
Susan Warden, modern dance trainer for the company, will provide another dark piece for the performance. “Incoming” combines the music of Arvo Part with the humming of helicopters, which eventually drown out the music.
“There’s a beautiful thing happening that keeps getting interrupted by an ominous thing in the background,” Baker said of the piece.
Warden also choreographed one of the lighter pieces for the show, called “Romp.” In it, a playful, exciting dance will accompany the music of Bach.
Kimber Andrews, director of Prairie Wind Dancers II and a dancer in the upcoming show, said the performance was a rare opportunity to see the talent Lawrence has to offer. She said the troupe was in high demand throughout the Midwest and did as many shows out of town as it did in Lawrence.
“Lawrence is definitely a small town for live dance to happen in,” she said. “But we have some of the best dancers and choreographers in the area. It is an excellent assemblage of talent.”
Other works in the show include:
- “In the Cards,” by Deborah Bettinger, ballet trainer for the company. In this spoof of a card game, four women playing a hand of cards turns into a battle between the queens of each suit, eventually won by the Queen of Hearts.
- “Interludes,” by Andrews. Four short dances to a variety of music explore small moments of life.
- “Whatdaheckisda Polka,” by company member Ellie Goudie-Averill. Complicated footwork and spatial patterns with a series of polka pieces sets this work apart from the average polka.
Michael Ingle, company member, also will also contribute a piece that has yet to be named, which will combine sweeping movements with staccato jumps to the music of Phillip Glass.
Other regular dancers in the troupe include Mary Shahrokhi, Jennifer Wilson and Sarah Grunwaldt. All have, or are working toward, degrees in dance or art.