Entries from blogs tagged with “Lawrence”

Never trust a librarian carrying a dog book

Sounder, Old Yeller, Old Dan, and Little Ann: children’s literature is littered with corpses of dogs who died too young and made us cry harder than we wanted to. Luckily, our parents burst into tears, too, which helped distract us from our own sorrow, since they looked so weird crying as they read.

As if that weren’t enough, many literary dogs earn themselves a statue, so in case you ever stroll by the Idaho Falls Public Library in a great mood and run across a statue inspired by "Where the Red Fern Grows," or approach Texas’s Mason Public Library humming a happy tune until you see Old Yeller similarly enshrined, you’ll be sure to burst into a fresh bout of tears, no matter how many years have passed since those heartbreaking days of youthful reading.

It’s funny how culpable public libraries are in the formation of so much grief over dead literary dogs, as if we were trying to teach kids that yes, while reading can be fun and rewarding, a book can also rip out your young heart and play baseball with it before your very eyes. In fact, libraries have such a bad reputation when it comes to children’s books about dogs, I’ve heard of parents who warn their children to walk the other way if they ever see a children’s librarian approaching with a book about a dog.

So, to atone for all the emotional scarring caused by my ilk over the years, I offer up this list of literary dogs who lived long, inspiring lives, which were not defined by untimely and deeply depressing demises. Each of these dogs has its own statue, by the way, although, not surprisingly, none are located at a public library.

• Balto (1919 - 1933). Much has been written about Balto over the years, but my favorite book about him has to be Meghan McCarthy’s "The Incredible Life of Balto," which presents all the highlights of his illustrious career painted in McCarthy’s trademark large-eyed and friendly style. Balto was a sled dog who rose to the occasion in the winter of 1925, when a delivery of medicine over 700 miles of snowy terrain was the only thing that saved Nome, Alaska, from a deadly diphtheria outbreak. Balto brought the serum and became an overnight celebrity, vaudeville star, and subject of a sculpture in New York’s Central Park.

When he was purchased by a neglectful sideshow, the children of Cleveland raised enough pennies to buy Balto’s freedom, and he lived out the rest of his days in peace at the Brookside Zoo. As if that weren’t charmed life enough, Balto was given voice in a 1996 animated feature film by an actor whose last name was one of Balto’s favorite foods, Kevin Bacon.

• Jim the Wonder Dog (1925 – 1937). If you grew up in central Missouri, you’ve probably heard of Jim the Wonder Dog. Jim was a Llewellin English setter who gave the people of Marshall something to talk about during the Great Depression other than failed crops and bank trouble. Instead, gathered in and around the Ruff Hotel (yes, that was its real name) where Jim lived with his master, Mr. Sam VanArsdale, the people of Marshall witnessed a number of miraculous feats of canine intelligence.

Not only could Jim point out a man’s car after reading its license plate number off a piece of paper, he also predicted the outcome of the 1936 presidential election as well as seven Kentucky Derby winners. He executed commands given in Spanish, German, Italian, French, and Morse code, silencing skeptics at the University of Missouri and the Missouri legislature. A long awaited biography of Jim was published for children last year, and just two hours east of Lawrence one can view a statue and visit a museum dedicated to his memory.

If Jim whets your appetite for wonder dogs, there are also great books on Bobbie the Wonder Dog, who walked nearly 3,000 miles back to his owners after he was lost on a vacation, and Bulu the African Wonder Dog, who adopted two baby warthogs in his personal quest to protect endangered wildlife in Zambia.


• Hachiko (1923 – 1935). Okay, I lied. Even when dogs live a long time, they can still make you cry, simply by being so darn doggie. That means loyal in the case of the Akita named Hachiko, who made history by waiting every day at the Shibuya train station in Tokyo for the return of his master, a professor who died one day at work. Hachiko kept up his vigil for over nine years on a spot now marked by a statue celebrating his faithfulness, a trait so beautifully captured in Leslea Newman’s 2004 novel "Hachiko Waits" that the book has quickly found its place in the canon of children’s books guaranteed to make you cry.

Sorry. Like I said, never trust a librarian carrying a dog book. But don’t worry, we’re also a practical bunch. Not only will we provide free tissues, but you can now come to the library and dry those tears in the cheering UV glow of a SAD lamp.

— Dan Coleman is a collection development librarian at the Lawrence Public Library.

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What to read while you wait for Obama’s favorite book

While Barack Obama was president, he started an annual tradition of sharing his favorite books and music from the previous year, and he’s graciously kept with this tradition for 2017. At the top of his list this year? A new “dystopian” novel with some radical feminist themes called "The Power" by Naomi Alderman. The book was hovering around my to-read list for awhile, and the endorsement from this fella bumped it up several spots.

The reason I used the word dystopian in quotes above is because, when asked if the novel fit that category, Alderman’s response was, “Only if you’re a man.” Its premise asks the question: What happens if, globally, men were suddenly the ones constantly worrying about being overpowered, overlooked, and violently dominated?

The answers found in the book may be surprising, depending on the reader and their experiences. Women all over the world discover an electric power living within their bodies that has the power to shock, harm, or even kill another person. Upon this discovery, women start fighting back against their oppressors (victims of sex trafficking against their traffickers, children against abusive parents, etc.)

Given the recent revival of the #MeToo movement and the fact that rampant sexism/sexual harassment has come to light, Alderman’s book feels particularly timely. The book’s fast pace and attention to juicy detail compelled me to keep reading and filled me with an almost sadistic glee.

Along with being on Obama’s list, "The Power" won the 2017 Baileys Women’s Prize for fiction and was blurbed by Her Royal Dystopian Highness Margaret Atwood. Its hype is undeniable, and the holds list might be high for some time. Although we do have a couple of copies at the Lawrence Public Library that you may find on the new sci-fi shelf, here are some books with a similar feel to tide you over:

"The Book of the Unnamed Midwife" by Meg Elison — After a devastating fever wipes out 99 percent of the world’s female population and causes maternal mortality rates to skyrocket, a courageous nurse makes it her life’s mission to pass as a man and distribute contraceptives to any woman she finds (most of whom are in captivity). She’s like a queer, super-feminist Johnny Appleseed of birth control.

"Daughters of the North" by Sarah Hall — In the not-too-distant future, England experiences a total economic collapse and its population is forcibly relocated to urban areas. A young woman known in the book only as “Sister” (what’s up with all these unnamed protagonists?) escapes a controlling husband and is welcomed by an isolated group of women training to be rebel fighters.

"Who Fears Death" by Nnedi Okorafor — In Sudan, post-nuclear holocaust, a girl born out of a rape possesses mysterious powers and goes on a quest to save her people from annihilation. Okorafor’s writing is always deep, dark, and impactful, and though I have not read "Who Fears Death" (yet), I would expect nothing less from this Hugo- and Nebula-award winning author.

— Kate Gramlich is a readers’ services assistant at the Lawrence Public Library.

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Read Across Lawrence 2018: the heartfelt middle-school story of “Wonder”

“Everyone in the world should get a standing ovation at least once in their life because we all overcometh the world.” -Auggie, "Wonder"

Whenever I’m handed a book with the promise “This will make you cry,” I’m always a little skeptical. A montage of dogs seeing their owners after they get back from deployment, I am bawling, but it is the rare book that makes me break down and cry. So when "Wonder" by R.J. Palacio was handed to me and I was told that it was a tearjerker that might become the Lawrence Public Library's Read Across Lawrence book, I was skeptical.

Was this book really as good as I had been hearing for years? Would it really appeal to kids and teens and adults? Yes. Although I wasn’t overcome with gut-wrenching sobs while reading it, I can unequivocally say that "Wonder" has real emotional impact. It leaves you with profound gratitude. The overarching message of self-love and that there’s a little “wonder” in all of us bubbles through you, and even though the book is filled with cruelty and hardship, "Wonder" uplifts.

Auggie Pullman is much like other 10-year-olds: he’s obsessed with "Star Wars," he loves his dog and he’s nervous about attending middle school. But there’s one thing that very much sets Auggie apart. His face. He’s had 27 different surgeries to correct facial abnormalities, but he still doesn’t look normal. He “won’t describe what he looks like. Whatever you’re thinking, it’s probably worse.”

We do get insight from other people in Auggie’s life, as he is not the only narrator of "Wonder." Auggie’s sister Via, his friends from school and others all lend their voices to tell Auggie’s story at a crucial moment in his life: when he goes to school for the first time. Middle school. I bet a lot of you cringed when you read that. Can you imagine? Auggie has no hope of fitting in with a face that immediately sets him apart. He’s quickly labeled with several vicious nicknames like Freddy Krueger, Freak and Lizard-Face.

But here’s the thing. Auggie is cool. He’s funny, he’s smart, he’s clever. He has one of those personalities that makes him endearing. He’s one of those people you just want to befriend. But because of his face, no one will touch him. I don’t just mean that figuratively.

At one point in the book, there’s a game called "the plague," wherein if anyone touches Auggie they “catch a disease.” Even though this book is now six years old, the bullying that Auggie and his friends face rings as true in 2018 as it did in 2012. While many middle-grade books cover the upheaval of transitioning from elementary to middle school, bullying and the potential for all-out cruelty of kids that age is glossed over. Palacio shines a bright light into the dark corners of the middle-school experience of many children, but she does it in a way that never leaves the reader without hope.

So far "Wonder" sounds pretty grim, but throughout Auggie’s struggles to fit in, make friends and pursue life as a normal kid, Palacio weaves in unforgettable characters and utterly quotable lines and ultimately creates a message that will resonate with everyone: “When given the choice between being right or being kind. Choose kind.”

The library couldn’t have picked a better Read Across Lawrence book. There’s so much to dissect, discuss and dig through. It resonated with 27-year-old me, and it resonates with kids as well (I have rarely seen it on the shelf in my two-year tenure at the library). "Wonder" may not have made me cry, but that doesn’t mean I didn’t feel different after reading it. Palacio’s fantastic novel is moving, and I bet you’ll be moved too.

Grab a copy on Jan. 15 at 1 p.m. in the library auditorium and read along with us! Look for Read Across Lawrence programming throughout February and March as well. Since the book is so quotable, I started with one, so I might as well end the same way. Here’s one of my favorites:

“The real, real, real, real truth is: I missed seeing your face, Auggie. I know you don’t always love it, but you have to understand. I love it. I love this face of yours, Auggie, completely and passionately.”

— Lauren Taylor is a youth services assistant at the Lawrence Public Library.

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Nancy Pearl’s “Rule of 50” and the books I did not finish

It’s typically a rare case for me not to finish a book. At some point, I think I convinced myself that not finishing was giving up on an author or myself as a reader. But I have come to understand that neither of those is true at all. For whatever reason, it’s okay to stop reading a book, especially if you’ve lost interest in it, because there are so many other books that could be more interesting to you.

This year, I’ve decided to try out Nancy Pearl’s Rule of 50 for dropping a bad book. Pearl, a famous librarian with her own action figure and author of "Book Lust," acknowledged that the world of books is immense, but time is short. So “If you’re fifty years old or younger, give every book about fifty pages before you decide to commit yourself to reading it, or give up.” Over fifty? Subtract your age from 100 and use that as your guide.

To prepare myself, I’ve been thinking about some of the books that I did put down and why I never finished them:

"See Me" by Nicholas Sparks

Before picking this one up, "A Walk to Remember" and "A Bend in the Road" were the last Sparks novels I read, and that was back when I was in high school. I recall enjoying, and maybe even being emotionally moved by them. After getting only a few pages into this later release, though, my immediate thought was “Not for me!” It’s funny how your reading tastes change.

"Infinite Jest" by David Foster Wallace

Yes, I could not get through this notoriously unapproachable hipster tome that once had a movement dedicated to reading it. Honestly, it both confused me and bored me. I can’t say how many pages I made it through, because I made the biggest un-hipster-like mistake of trying to read it on a digital device. If you ever attempt it, I’d suggest purchasing your own print copy that you can mark up, dog-ear and post-it to death and carry around in a satchel so it weighs constantly on your mind.

"IQ84" by Haruki Murakami

Another gigantic hipster tome of doom, but I actually did find this one approachable and intriguing. The only reason I put it down was because I checked it out from the library back when it was on the new shelf and the two week checkout period was up before it seemed I had a chance to crack the spine. Not wanting to accumulate overdue fees, I returned it, and I never bothered to pursue it again. I’ve enjoyed Murakami’s other works, so I think if I ever have 46 hours and 46 minutes to kill, I might just check out the audiobook.

"Marvel and a Wonder" by Joe Meno

Up until I checked out this book, Joe Meno was one of the few authors that I had to purchase every title they’ve written. Unlike any of his previous novels, though, I just did not care for the characters in this one. The contemporary Western feel of it, too, put me off. But to admit, even after giving up on the library’s copy, I bought my own. I guess I’m not quite ready to give up on Joe Meno yet either.

I look forward to being more ruthless this year in my inclination to stop reading books that don’t interest me, if only for the chance of finding more that do. What are some books you’ve dropped?

— William Ottens is the cataloging and collection development coordinator at the Lawrence Public Library.

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December Look Play Listen Round Up

Hi Lawrence! Look Play Listen is the library’s team of AV appreciators. Each month we’ll round up some of our favorite music, film/TV, and video game reviews from our staff and put them in one easy to read, easy to locate blog post.

Look

"The Mind of a Chef" Season 3

"The Mind of a Chef" somehow weaves together cooking, culture, and chef backstory in 25 minute short episodes that tend to culminate in some kind of thought-provoking reflection on life. The span of entries following Nordic master Magnus Nilsson are frankly the best. Magnus is at once a lovable goof with a childlike wonder and imagination for food and one of the best chefs on the planet with a merciless eye for perfection and control. We watch as he forages around the woods near his restaurant, Faviken, for dry, fallen oak leaves to flavor potatoes; he explains that he wants to "expand the potato eating experience." Sign me up, Magnus.

Eli from Readers’ Services

"The Family Man"

If you enjoy Tea Leoni in the TV series "Madam Secretary," give this movie a try. She costars with Nicolas Cage in a modern take on "It's a Wonderful Life." An encounter with an angel transforms Cage's pampered, investment-banker existence to a middle-class tire salesman's lot, complete with wife (Leoni), two kids, and a crummy minivan. Set during the winter holidays, this is a perfect movie for couples to enjoy over the end-of-year break, but really, it's fun to watch any time of year.

Tricia from Collection Development

"Room 237"

As much as I'd like to consider myself an avid horror movie fan, I hadn't seen "The Shining" until a few months ago. I walked in expecting a chilling horror legend and what I found? Well, I couldn't quite put my finger on it. "The Shining" was a movie that didn't feel quite like horror but at the same time, it didn't feel like anything else I'd ever seen either. The movie baffled me. "Room 237," though I don't agree with any of the interpretations about the film, made me feel a bit better about being baffled.

"Room 237" is a documentary that highlights the madcap theories of avid fans. Without giving too much away, my favorite theory is that "The Shining" was a secret symbolic outcry from director Stanley Kubrick who felt guilt about his involvement in faking the moon landing. Now, I don't believe the interpretation, nor do I believe the Apollo 11 landing was a Stanley Kubrick production. "Room 237" also showcases darker theories about historical violence, genocide, and subliminal messages. Overall,the film isn't about the theories themselves, it's about how we as viewers can have vastly different interpretations of the same work. Perfect for both the avid film buff and the casual viewer, it’s a descent into madness (and subsequent interpretations of madness) that was a blast to watch.

Margo from Youth Services

Play

"The Legend of Zelda: Breath of the Wild"

It feels a little early to say "Breath of the Wild" is my favorite game ever, but man, is it a contender. The game’s not perfect. I can’t stress how much I miss classic Zelda dungeons and tools (no hookshot?!) and the weapon durability system can be tedious — do Hyrule’s blacksmiths only work in chalk? — but those complaints pale in comparison to the game’s living, breathing, astounding, explorable and incredibly fun open world.

Ian from Info Services

Listen

"Songs of Innocence" In the third major chapter of U2's career (beginning with 2000's "All That You Can't Leave Behind"), I find this to be a particularly standout effort. Unlike moments of the band's recent few albums, "Songs of Innocence" holds its coherence and message for its entirety — working off the threaded narrative of reflection on one's innocence and its loss.

Each song on this record stands alone with identity and sonic charm, though listening to the album top to bottom allows the songs to form the greater picture. The opening three songs are anthemic, catchy, and brooding and set the tone marvelously for the rest of the record. I could highlight every song, honestly. The only track that slips up for me is "Volcano," merely because the lyrics seem a bit unhashed. Through time this has become one of my favorite U2 releases, rivaling "Achtung Baby" and "Joshua Tree" as one of their finest efforts. It is the cornerstone of the current U2 chapter.

Joel from Tech Services

"Reputation"

Lawrence Public Library director Brad Allen recently gave this album a thumbs up, and I am in complete agreement with him, but not because he's the boss. The songs produced by Jack Antonoff (“Fun,” “Bleachers”) truly are the strongest tracks of the record. This latest album is an excellent follow up to Taylor Swift's "1989," combining all the pop/dance hooks that made the previous album catchy, yet with better pacing and content. If this is the "Reputation" that Swift wants to be known for, she is on the right path.

Ilka from Readers’ Services

So that’s it from us for December! What media did you love this month?

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Fact and fiction collide in “The Only Harmless Great Thing”

The stranger-than-fiction story of the women who painted radium dials during World War I got a proper exploration earlier this year in the nonfiction hit "The Radium Girls." Now the topic gets its due in the realm of fiction with Brooke Bolander’s "The Only Harmless Great Thing," with an intriguing twist.

As if the story of the radium factories were not already peculiar—and tragic—enough, Bolander imagines sentient elephants working alongside the women of history.

For those who aren't quotation buffs, here's the explanation for the enigmatic title. “Nature’s great masterpiece, an elephant; the only harmless great thing,” said John Donne, an English poet of the fifteenth century.

Though such a premise could simply be stamped as fantasy or perhaps science fiction, it feels more like magical realism in this treatment. The alternative history approach changes nothing here apart from the capacity of elephants to communicate with humans. There are no spells being cast or otherworldly technology at play; Bolander preserves the gritty, realistic fabric of history (with her own tusked amendment, of course).

"The Only Harmless Great Thing"’s narrative cycles through three different times and settings as distantly-related stories unfold. In the present day, we follow Kat, a scientist roped into diplomacy negotiations with sovereign elephants, in hopes that they will help designate the danger of radioactive sites even after mankind might perish. Then, in the 1910’s, Reagan, a radium girl, works with Topsy — an elephant, and a fiery one at that — both suffering the effects of radiation poisoning and ruthless working conditions. Finally, Bolander adds the what is essentially a telling of the elephant’s creation myth; it is the story of their first matriarch, who overthrew the bull elephants long ago.

Despite jumping around so drastically in focus, reading the novel feels like a well-tuned stream of consciousness. Bolander has a knack for creating a resonance that spans all the different protagonists while preserving each of their unique identities. She takes on quite the challenge, too, by writing in a modern voice, a rural 1910’s voice and an elephant voice that is fairly experimental and closer to poetry than prose. I’ll admit, the elephant sections aren’t the easiest to read at first, but they’re vivid, thoughtfully constructed and well worth it.

Tracing the elephants’ relationship with mankind — along with mankind’s relationship with radioactive substances — makes for compelling and effortless storytelling. Really, the premise is just too good. The radium girls already make for a fascinating topic, and adding elephants somehow feels perfectly appropriate. Every character feels real, and it’s the best kind of emotional devastation when we witness their increasingly-grim plights.

There are plenty of social critiques and insights that could be drawn from the book. Bolander, though, presents her story at face value, allowing the reader to derive any further meaning as they please, be it a message relating to the treatment of animals, feminism, labor rights, the military industrial complex et al.

Put it all together, and "The Only Harmless Great Thing" is a unique and satisfying read if you want to start the year off with a change of pace. John Donne may have been on to something: There is just something about elephants, isn’t there?

— Eli Hoelscher is a readers’ services assistant at the Lawrence Public Library.

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It’s time for the 2018 Squad Goals reading challenge

In 2017, the Lawrence Public Library's Book Squad introduced the Squad Goals Reading Challenge, a collection of 13 prompts designed to get you reading more widely.

In 2018, by popular demand, we’re back with 13 new prompts that we hope will intrigue, delight and, yes, challenge you. We’ll have hard-copy forms available at the library by January, and the same “rules” apply as last year:

  • Read along month-by-month, or read in any order you like.
  • Make a plan and stick with it, or pick books on a whim.
  • Start every book you finish, or
    stop reading anything you aren’t
    enjoying.

You do you, is what we’re saying.

Because I love making plans (and willfully discarding them), I’ve mapped out my choices below.

January: Read a thriller — I’m going with Tiffany Jackson’s "Allegedly," about a black teenager, Mary, who was convicted of murdering a white baby when Mary was just eight years old. I’ve heard this psychological thriller is great on audiobook, so I’ll plan to listen to this one.

February: Read an #ownvoices book — The #ownvoices movement encourages readers to pick up books written by authors who share an identity with the characters they’re writing about. I decided to read Corinne Duyvis’s "On the Edge of Gone," which has an autistic heroine written by an autistic author (also the founder of the #ownvoices movement).

March: Read a book with a character’s name in the title — After watching the very charming "Spider-Man: Homecoming" recently, I decided to delve deeper into Spider-Man, a hero who usually doesn’t interest me much. I’ve heard great things about "Miles Morales," author Jason Reynolds’ young adult novel about the current Spider-Man.

April: Read a book about a mythical creature — For many years, I summed up my taste in fiction as “no dragons” — then along came Naomi Novik’s "Temeraire" series. For this prompt, I’ll indulge my newfound love of dragons with Jo Walton’s "Tooth and Claw," about the power struggles in an influential dragon family after the death of its patriarch.

May: Read a book about nature — I read more poetry in 2017 than I have in years. I want to build on that progress, so I’ll read through the anthology "Black Nature: Four Centuries of African American Nature Poetry."

June: Read a book with an LGBTQ+ protagonist — Spoiler alert! I’ve been meaning to try Adam Silvera’s work for a while now, so I plan to weep my way through his 2017 release "They Both Die at the End," about two young men who receive notice from the Death-Cast notification system that they’ve got one day left to live.

July: Read a nonfiction book on a topic you don’t know much about — In college, I took a course that explored the connections between math and music — and was shocked to find that I was more interested in the math than the music. I’ll brush up my knowledge with "Everything and More: A Compact History of Infinity," David Foster Wallace’s nonfiction deep-dive into the mathematical concept of infinity.

August: Read an urban fiction book — I devoured Aya de León’s fun, thought-provoking heist romance "Uptown Thief" this year, and I’ve been saving its sequel, "The Boss," so that I wouldn’t tear through the series too fast. I’m especially excited because it moves one of my favorite secondary characters front and center.

September: Read an anthology of short stories by multiple authors — I mostly missed the "Hamilton" craze (I still haven’t listened to the entire show), but I can’t wait to read "Hamilton’s Battalion: A Trio of Romances," which brings together stories set at the Battle of Yorktown, written by three of the best romance novelists currently working (Alyssa Cole, Courtney Milan and Rose Lerner).

October: Read a book by an author with a disability — I’m going with Kody Keplinger’s "Run," a young adult novel about the friendship between wild child Bo and rule-follower Agnes. Keplinger has written several really good young adult novels, but this is the first one where she includes a blind main character. (Keplinger is blind herself, so this one would also work for the #ownvoices prompt.)

November: Read a true crime book or fiction based on a true crime — Talk about stranger than fiction: Did you know that prolific mystery writer Anne Perry was convicted for participating in the murder of her best friend’s mother in the 1950s? If that doesn’t make you want to read Peter Graham’s "Anne Perry and the Murder of the Century" with me, I don’t know what will.

December: Read a book set in the future — I was debating between two books for this prompt, and then I saw that my fellow Book Squad-ers Kate and Kimberly had both given one of them five stars. I’m reading "Orleans," by Sherri L. Smith, set in a quarantined, almost-abandoned Gulf Coast.

Anytime: Read a book you’ve been meaning to finish - Whatever else 2018 may hold, I can guarantee it will hold this: it will be the year I finally finish Bradley Udall’s "The Lonely Polygamist," which I have thoroughly enjoyed every time I’ve started it, and which has nevertheless been hanging out on my to-be-read list since 2010.

So that’s my very tentative plan for the 2018 Squad Goals challenge. I’m looking forward to reading along with you.

-Meredith Wiggins is a readers’ services assistant at the Lawrence Public Library.

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Library staffers share their best books of 2017

As 2017 comes to a close, with all its turbulence—for better or worse—one thing remains constant: great books of all flavors.

Staff from all across the library share their favorites; read on for LPL’s best books of 2017.

Shirley Braunlich, reader's services assistant: "The Turtle’s Beating Heart: One Family's Story of Lenape Survival" by Denise Low is a memoir of deep exploration into the author’s ancestry. Thoughtful personal stories of family are beautifully interlaced with poetic prose and occasional wry humor. References to Lenape (Delaware) Indian landmarks in Lawrence are also noted. Also, "Wildness: Relations of People and Place" is an anthology of essays about human relationships to the natural world, self-determination and holistic environmental sustainability. Among the noteworthy authors included are Robin Wall Kimmerer, Wes Jackson, Vandana Shiva, Rob Dunn, Joel Salatin and Courtney White.

Dan Coleman, collection development librarian: British zoologist Nicola Davies has long been one of my favorite children’s authors, and this year she has outdone herself with "Song of the Wild: A First Book of Animals." Featuring the richly colored paintings of veteran Czech illustrator Petr Horacek, the book consists of over 50 poems broken up into five thematic sections, revealing wonder after wonder of the animal world. At over 100 pages, with ample room on pages nearly a square foot in size, this book will have a place in children’s lives from their earliest lap-sitting days through the years they are able to read by themselves.

Kate Gramlich, readers' services assistant: I'm going to throw in what I think is the funniest book of this year: "We Are Never Meeting in Real Life" by essayist and blogger Samantha Irby. What makes this book so good is the unflinching honesty and humor she employs when sharing not only embarrassing moments in her life, but also moments of serious struggle. She does an amazing job of balancing humor and sharp wit with insightful social commentary, and I can't wait to see what comes next for her.

Eli Hoelscher, reader's services assistant: It took me a second to fall under Wioletta Greg’s spell in "Swallowing Mercury," crafted from pastoral scenes and a somewhat confabulated childhood memory of rural life in 1970s communist Poland. As it undulates from grim to fantastic moments, this dreamlike autobiographical novel pulled me in deeper with every stirring vignette; it’s a work that will stay with me for a long, long time.

Polli Kenn, reader's services coordinator: "Heating and Cooling" by Beth Ann Fennelly: a surprising, stunning, tiny gem of a book. Funny, true and heartbreaking, Fennelly's concise, perfect prose has a poetic sensibility. You'll find every word in just the right place in these micro-memoirs of a life, seen from the midway vantage point. Read slowly to savor, then reread several times to remind yourself how perfect this wee book is.

Kimberly Lopez, reader's services assistant: It’s difficult to choose just one favorite book of 2017, so why not two? "Pachinko" by Min Jin Lee impacted me the most. A multi-generational tale of one Korean family living in Japan, this story is enlightening, enraging and emotional. I absolutely fell in love with all of the characters and never wanted to let them go. I honestly don’t see how I can ever forget them. This is easily one of the best historical fiction novels I have ever read. I also adored "The Bear and the Nightingale" by Katherine Arden, a fantasy novel based on Russian folklore. The writing style is absolutely gorgeous, the setting is so atmospheric (equal parts magical and creepy), and the heroine is someone you can really root for.

Sarah Matthews, account services assistant: Long after reading "Exit West" by Mohsin Hamid, I find myself thinking of Nadia and Saeed, whose fledgling love affair begins as their country finds itself on the brink of civil war. What struck me the most was the ease of it all. Gunfire and bombings startle at first, but slowly become the new normal. The characters worry as much about holding hands or kissing as they do about newly imposed curfews and checkpoints. It was downright chilling how naturally it all came to be, and yet the story is full of hope and magic and indelible beauty. Picking my favorite of the year was no easy task, but this one really stuck with me in a way that nothing else did.

William Ottens, cataloging and collection development coordinator: "This Book Is Not for You" by Daniel Hoyt: townies, last calls at the Replay, a plot to blow up Wescoe Hall — disregard the title, Lawrence, this book is for you. Maybe it was because of the familiar setting, maybe because it reminded me of the debauchery of my early twenties, or maybe because Dan Hoyt is a gritty but charmingly witty storyteller, but I could not stop reading this one. Short chapters make for an easily digestible but chaotic experience with as much clarity as a hangover. All the pieces eventually come together. And you’d best not read this on a digital device. Let's just say the protagonist would not approve.

Lauren Taylor, youth services assistant: I am a sucker for a good romance with an excellent meet-cute, and "When Dimple Met Rishi" does not disappoint. Paired together by their parents, the title characters meet outside a Starbucks, where Rishi jokes about being Dimple's future husband. The catch? Dimple has no idea who he is, throws her hot latte on him and runs away. This book has so much heart and encapsulates the immigrant experience while rolling out a romance worthy of young adult fame.

Jake Vail, information services assistant: Everybody’s favorite cantankerous hermit is the subject of — wait a minute! He wasn’t that cantankerous, and Henry Thoreau was certainly not a hermit! Laura Dassow Walls’ "Henry David Thoreau: A Life" is my choice for 2017 Book of the Year. In easy-to-read yet scholarly fashion, Walls peels back the layers heaped upon “Henerey Thorow” (as he was called) and takes a good look around, providing new cultural and natural context to Thoreau’s life and works. The result is a triumph in un-pigeonholing, a fascinating look at the rapidly changing world that moved around Thoreau and how he came to view it. An easy choice for book of the year, for Henry’s 200th birthday.

Meredith Wiggins, readers' services assistant: This year, I fell in love with three books that explored human connection in very different ways: "Lincoln in the Bardo," by George Saunders, which melded historical fiction about a well-known historical figure with ghost stories to gorgeous, devastating effect (my true #1); "Exit West," by Mohsin Hamid, which used magical realism to speak to the real effects of false boundaries on human lives; and "Anything is Possible," by Elizabeth Strout, which took us into the life of a town with a famous daughter, examining, in a series of short stories of one chapter each, how her life intersected with that of the other townspeople. Each of these books challenged me, delighted me and moved me to tears.

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Cozy reads to get you through the endless night

It’s that time of year again! The ground is covered in leaves, the holiday lights are on, the heater is cranked all the way up and snow is imminent. You look outside one minute, and the sun is shining, and the world is like a gorgeously illustrated picture book, and then one minute later you look again, and suddenly the world is now made of darkness. Your body is all “what is happening?!” and your brain is like “but it’s only 5pm!” Winter has (almost) come.

The sudden weather change is discombobulating, and sometimes even a little disturbing when you manage to miss those few hours of sunlight, and your mood levels plummet. At times like these, I find it most comforting to try and embrace the season by cuddling up with a fuzzy blanket, maybe baking some scones and topping it all off by grabbing a cozy book.

The term “cozy” can differ for everyone — for some, a good mystery will hit the spot; for others, it might be Gothic novels or classics, or even children’s adventure books. What I personally mean by a “cozy read” is one that inspires you to really settle in and fully immerse yourself in a book that makes outside stressors just melt away. Lately, that has been an extremely specific type of book for me — Victorian alternative history, complete with steam gadgets, spunky heroines and mythical creatures come to life.

I’ve fallen completely in love with Gail Carriger and devoured her entire "Parasol Protectorate" series.The universe is steampunk Victorian where supernatural vampires and werewolves are fairly common, but preternatural “soulless” are quite rare. The main protagonist in the series is Alexia Tarabotti, an aforementioned preternatural, who can render any supernatural folk human with just one touch. Start with the first book, "Soulless," which introduces the extremely sassy and hilarious Alexia, who isn’t complete without a trusty parasol (so that she can whack people on the head when she gets angry or doesn’t get her way). Carriger has written other series set within the same universe, so once you finish Alexia’s story, there is still more to explore.

Along the same lines, I just finished the first book in the the "Memoirs of Lady Trent" series - "A Natural History of Dragons." Not exactly alternate history, because technically Marie Brennan has created an entirely new universe, but one that is directly inspired by the Victorian era. The books are set up and written like Victorian adventure memoirs, in which Lady Trent (Isabella) looks back on her life as a preeminent dragon naturalist. She is essentially the Jane Goodall of dragons, and, considering how obsessed with Jane Goodall I was as a child, I am thrilled with discovering this series.

This is no dragon-hunting fantasy epic — rather, it's a methodical exploration of dragons as creatures that exist within nature. Brennan is so utterly convincing that I found myself wanting to drop everything and go out and become a naturalist. While the books in the series focus heavily upon the scientific side of dragons, there is still plenty of adventure for those who like action in their fantasy books. Immediately after finishing the first book, I turned to my partner and said, “5 out of 5 stars — would definitely recommend!” and then picked up the second novel. So far, this series has helped to fill the void that finishing "The Parasol Protectorate" has left, so if you love one series, I can see you loving the other.

In general, now is the time to settle down and commit to a series. If you haven’t tried reading a series lately, I suggest you give it a try! Binge-read like you would binge-watch a Netflix series — or try binge-reading a favorite author. It seems like such an obvious thing to do, but it’s something I haven’t really tried until recently. That way, when day melts into night and night becomes unending, it doesn’t really matter. You’ve got yourself a mystery to solve or beloved characters to follow, and “it’s totally fine” that it’s only 12 degrees outside.

(Don’t forget — the library has Seasonal Affective Disorder lamps! They’ve been immensely helpful for days when I need a pick-me-up and a reminder that the sun still, in fact, exists and we are not living in one endless dark and cold night. We even have a few available to check out — it’s pretty neat.)

— Kimberly Lopez is a readers’ services assistant at the Lawrence Public Library.

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Eight(ish) miraculous books

Taking place every year on the 25th of Kislev, Hanukkah commemorates the story of Jewish persecution at the hands of the Syrian despot Antiochus, who made observance of Judaism a capital offense, regularly slaughtered Jews and made it a point to desecrate the Temple.

A man named Mattathias and his sons formed a band of rebels called the Maccabees. After three years of fighting, they eventually ousted the Syrians.

When they saw the state of the Temple, the warriors openly wept and went about ritually cleaning it for use again. Tradition tells us there was enough oil to light the great Menorah for one night. Miraculously, it lasted eight days — enough time to manufacture more ritual oil. In celebration (and because of the holiday’s proximity to a larger American holiday), the holiday has grown in prominence.

We eat latkes, spin dreidels and put our menorah in the windows, quietly shining amid the more conspicuous holiday lights of our neighbors.

In honor of Hanukkah, it seemed fitting to address miracles, specifically the miracle of the right book, just as it is needed. Wouldn’t you consider it miraculous when the formation of a thought in a stranger’s head is written down, then survives the publishing process to be made into a book, which gets purchased by your local library, which a friendly librarian delivers to your hands at the right time to resonate with the deepest needs of your current life? Well, now. I certainly would.

With that in mind, I decided to visit books that were a miracle in my life. I’ve read a lot, even before I became a professional bookslinger, so there were oodles to choose from. This listing is not necessarily the best book ever written on a theme or a subject (though most are quite good), but they were miracles in that they came at just the right time in my life and made a lasting impact.

"Little House on the Prairie" by Laura Ingalls Wilder: Galvanized me as a reader with a focus on a spunky girl my age who liked to be out in nature; plus, I watched this show often with my beloved grandparents. I also think this was the start of my love of series fiction.

"Savage Inequalities" by Jonathan Kozol: I read this in college, and it changed the course of my studies and my career interests. (See also: "The Measure of our Success," by Marian Wright Edelman who helped with my career path, but also with the raising of my own children later in life. When people compliment me on having great kids, this is the book I want to hand them.)

"Our Bodies, Ourselves": Everything I ever wanted to know about my body — and how the patriarchy would work to control it — but was afraid to ask.

I include the "Hip Mama Survival Guide" (which the library sadly doesn’t own) because Ariel Gore writes about motherhood, and she saved me when I was floundering and trying to figure out how to do parenthood differently from how it was done to me. I’m still grateful to her.

"Outlander" by Diana Gabaldon was the first “real” book I read after spending several years reading sociology texts, and pregnancy, childbirth, nursing and parenting books. It was a much needed respite after all the wee people who needed me were kissed and tucked into bed.

Protagonists Jamie and Claire became the cause of many of sleepless night, sometimes in tandem with a nursing a baby. However, loving this book taught me it was okay to take care of myself when I needed it and that self-care might be as simple as a tale, well-told, in a quiet moment.

"The Big Orange Splot" by Daniel Pinkwater: Mr. Plumbean lived on a neat street … until the big orange splot came along. This simple children’s book (along with anything Mr. Rogers has ever said) gave me a roadmap for raising kids. Search for your true self, love who you turn out to be and gently help those around you feel comfortable finding themselves, too.

"Encyclopedia of an Ordinary Life" by Amy Krouse Rosenthal: I wrote about this book before, so I won’t go on about it. But this book opened a path for me when I really needed it, and I hold Rosenthal in my heart daily.

"Heating and Cooling" by Beth Ann Fennelly: Fifty-two finely tuned micro-memoirs, which is about all I have time for some days. Fennelly writes prose as poetry. Each memoir, whether one sentence or a few pages, packs a punch. Sneaking peeks into her beautiful brain has affirmed my own midlife reality, as well as the journey it took to get here.

(OK, if you were counting, that’s actually nine books. But I decided I could give you nine books because there are nine candles in the hanukiah, as the shamash “helper” makes nine.)

Dear readers, my holiday wish for you is that you’ll always find the books that are a light at your darkest times, just like the winter holidays themselves. Happy reading.

-Polli Kenn is the readers’ services coordinator at the Lawrence Public Library.

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Female writers of the “Star Wars” Expanded Universe

The newest "Star Wars" movie is days away from release, and there’s an electricity in the air surrounding this excitement that I’m forced to refer to as the Force. With the new trilogy and Expanded Universe movies all abuzz, it’s become clear that women have taken a firm hold of the "Star Wars" Expanded Universe. Characters like Rey and Jyn Erso are proving to be even more popular than their male counterparts.

Recently, I happily discovered that there are many female writers contributing to the fiction of the Expanded Universe, and that they're creating totally kick-butt stories. There are Expanded Universe stories for all ages, which is perfect for fostering a long-term love of "Star Wars" in young readers. They’re complex, fascinating, and cover all of the backstory that would’ve turned each of the existing movies into 6-hour features — something I wouldn't be at all opposed to, for the record.

If you have any young readers in your life, I cannot more highly recommend Jude Watson’s "Jedi Apprentice" and "Jedi Quest" series. "Jedi Apprentice," which is set before the action of "Episode I: The Phantom Menace," tells the story of how Obi-Wan Kenobi became Qui-Gon Jinn’s apprentice. Honestly, this series made "Episode I" pretty forgivable for my young mind, as I was more excited to see the embodiment of these characters I had come to adore. We can all just pretend Jar Jar Binks just didn’t exist.

Post-"Episode I," "Jedi Quest" reveals the development of Anakin Skywalker as he begins his Padawan training under Obi-Wan’s watchful eye. Because it is told from the perspective of a young Anakin, this series would be great for an even younger reader than "Jedi Apprentice." I can almost guarantee that they’ll demand Padawan robes for their next Halloween costume after following this journey.

As we get older, one of the most fun areas to explore in the Expanded Universe is the dark side of the Force. Christie Golden’s "Dark Disciple" follows Asajj Ventress, former Sith apprentice turned bounty hunter and one of the great antiheroes in the "Star Wars" galaxy. This storyline was originally part of the "Clone Wars" TV series, but was scrapped and later adapted into this novel.

After the "Clone Wars," we see E.K. Johnston’s "Ahsoka" mysteriously reappear as a Rebel operative after leaving the Jedi Order.

Martha Wells delivers us "Razor’s Edge," a perfectly raucous Han and Leia marauder story set just before "Episode V."

In the midst of the Rebellion, we have Claudia Gray’s "Lost Stars," which spans many years and switches between the voices of two best friends as they grow up and train to become Imperial pilots.

Golden returns with New York Times best-seller "Battlefront II: Inferno Squad," picking up the story from the Empire’s side just after "Rogue One." This novel lends so much perspective to the “bad guys” that you’ll find yourself almost saddened by the Death Star’s destruction. Almost.

Finally, we have Delilah S. Dawson’s New York Times Bestseller "Phasma." If you were at all curious about Captain Phasma in "Episode VII," this is an absolutely necessary read before "Episode VIII" comes out. I’ll give nothing away and just say that it is truly one of the best books I’ve read this year.

There is much more to discover in the "Star Wars" Expanded Universe than what I’ve listed here. Go explore, and may the Force be with you.

— Logan Isaman is the community assessment coordinator at the Lawrence Public Library.

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“Manhattan Beach”: a mob drama for the rest of us

About a month ago I tweeted, with 100 percent sincerity, “I zone out as soon as a TV show description uses the words, ‘crime boss.’” Although in my tweet I was referring to a synopsis I had seen on Netflix, believe me when I say this is true for books as well.

I have no capacity for paying attention to a story where macho men brandish guns while calling women “broads” or where the word “capiche” is used as a replacement for a question mark. I am not so arrogant to think that just because these stories don’t appeal to me, it means they’re bad, but nevertheless, whenever I say I don’t like this genre someone usually mentions "The Godfather" or something similar as if I’ve been living under the biggest and most soundproof rock in creation.

“BUT WHAT ABOUT 'THE GODFATHER'?” “I’ve seen it!” “But did you like it?” “No!” Anyway, one week after my tweet (and its now obvious foreshadowing), I was cracking open Jennifer Egan’s newest novel, "Manhattan Beach," to find the story centered around what can best described as… sigh… a crime boss. Or, more accurately, a woman whose life is deeply affected by a crime boss. I broke out into a cold sweat as I became increasingly aware of what I was getting myself into. I’d already planned to write a review of Egan’s new book because two of her previous novels,"The Keep" and "A Visit From the Goon Squad," are some of my personal favorites. I didn’t feel like I could back out now. Besides, what would I write about if not this?

Time was of the essence and, frankly, I hadn’t expected Jennifer Egan to do this to me. Despite my trepidation, I took the plunge and read it … and as much as I hate to admit when I’m wrong, I guess I like crime fiction now.

"Manhattan Beach" is a historical novel which begins at the seaside in Brooklyn ten years before the start of WWII. Here we meet the book’s main character, Anna, as a young girl whose father has taken her on a business trip to meet up with a man we later learn is a racketeer, Dexter Styles. The reader quickly recognizes that Styles will be an important person but Anna is the character around which the story revolves.

We watch her grow from a young girl with a special closeness to her father and disabled sister, to a woman whose relationships become more complicated as time passes (as relationships often do). A little later in the book Eddie, Anna’s father, disappears, leaving the reader and Anna to presume he’s dead after involving himself with Styles and other nefarious characters. We won’t find out what happens to Eddie (or how it happens) until the end, but getting there is captivating as Egan has each of the main characters crossing paths in present day and in flashbacks.

As we discuss main characters, I would be remiss not to mention the sea itself, where this novel begins and ends. No, crime bosses and mob stories are not my normal thing, but I am a sucker for tales set in New York City, and I love a good World War II backdrop as well. Combine these with a seascape description so palpable I could feel, smell, and hear it. Suspending my disbelief came easily.

Even locations and situations which would normally cause me to zone out (back rooms of nightclubs with a lot of cigar smoke, poker dens, the repetitive use of the word “boss” which I can only hear in a thick Joe Pesci accent) rolled right off of me and, in some cases, lured me in. Egan crafts this backdrop of the beach and the sea masterfully. The ocean is always there; she has built this dreamy, foggy world so well. It cleanses, it blinds, it maims, it baptizes.

The book, of course, is not without its flaws, and I did not feel compelled to shout from the rooftops my admiration for it as I did with "Goon Squad" and "The Keep." It is plot-driven almost to a fault, leaving something to be desired when it comes to the intricacies of characters’ relationships. At 433 pages, Egan does not rush her story. In fact, at times, I wished for fewer details about ship repair and more about the inner workings of the characters and their thoughts.

But overall "Manhattan Beach" succeeds, and Jennifer Egan has proven herself to be a writer who will not be pigeonholed as someone who only writes a specific genre. And, thus, she has made this reader branch out into other genres as well, which can only be a good thing. Capiche?

— Sarah Mathews is an accounts assistant at the Lawrence Public Library.

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November Look Play Listen Round Up

Look Play Listen is the library’s team of AV appreciators. Each month we’ll round up some of our favorite music, film/TV, and video game reviews from our staff and put them in one easy-to-read, easy-to-locate blog post.

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"Hunt for the Wilderpeople"

"Hunt for the Wilderpeople" is a phenomenal film full of the heart and humor director Taika Waititi does so well. It follows Ricky Baker, a child in New Zealand's foster care system who must adjust from his city life to a life in the bush.The screenplay walks the perfect balance between light, humorous and heart-wrenching. I found this film quotable, comforting, and perfect for rewatching. If I was only able to watch films from a single director for the rest of my life, Taika Waititi would be on the very top of the list. If you enjoyed the new "Thor" film I would highly suggest giving Hunt for the Wilderpeople a watch ... or twelve.

— Margo from Youth Services

"She’s Gotta Have It"

I'm not sure how to feel about the Netflix series adaptation coming this month, but Spike Lee's original "She's Gotta Have It" is a truly special film. This artful rom-com blends humor, drama, and emotion in a manner few narratives ever can; there's also a nuanced exploration of sexuality and class dynamics (among other things) underpinning the whole production, but it doesn't demand that you analyze it — "She's Gotta Have It" remains disarmingly enjoyable at face value. Honestly, despite his later triumphs, Lee peaked right out of the gate — but that's just a testament to an incredible piece of filmmaking.

–Eli from Readers’ Services

"Metropolitan"

Whit Stillman's films are perfect for people who like character-driven, dialogue-packed films. Set in New York City in the world of privileged college youth (plus one middle-class gentleman) during the debutante season, the film documents their parties and private conversations, their romantic crushes and social commentary. It's the first in an exceptional trilogy — don't miss Stillman's follow-ups: "The Last Days of Disco" and "Barcelona."

— Tricia from Collection Development

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"Destiny 2"

Not too shabby, Guardian! With "Destiny 2," Bungie continues to inch towards delivering on the promise and hype of vanilla "Destiny." Quality-of-life changes abound, and there’s more to do than ever before. For better or worse, nothing has fundamentally changed in the sequel, but joining up with two strike buddies and absolutely wrecking some generic alien baddies has never been as fun.

— Ian from Information Services

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"Akira Symphonic Suite"

The score to the epic, anime classic about biker gangs, psychokinetic powers, political corruption and human experimentation is as unique and energetic as the movie it accompanies. The Japanese musical collective Geinoh Yamashirogumi combines traditional musical elements of Southeast Asia such as the chromatic bamboo percussion of Indonesian Gamelan and the intense, rhythmic chanting of Japanese Noh theater with the pulsating synthesizers of '80s techno and hints of prog rock to create a texturally unique soundscape. The score can be enjoyed as a solo piece without seeing the movie, but the pair complement each other so much that it’s best to be able to conjure up the striking imagery of Neo-Tokyo while listening.

— Kevin from Collections Development

"Wonderful Wonderful"

In my opinion, The Killers' "Wonderful Wonderful" is the jewel in 2017's musical desert wasteland, which seems appropriate as the band hails from Las Vegas, Nevada. I've held The Killers’ 2006 album "Sam's Town" in high esteem for years, and this new release would be a serious contender in a prizefight, no doubt. Along with combining elements of Brandon Flowers' solo works, the prototypical Killers synth-laden jams will leave you feeling wonderful wonderful.

— Ilka from Readers’ Services

So that’s it from us for November! What media did you love this month?

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One Place, Many Voices: Local Authors Share Connections to Place

Writing by our local authors is rich and diverse in both mood and voice. My current focus is on such writing that provides a sense of place. This is an invitation to explore outside spaces with local authors in a series of events aptly titled Local Authors Outside.

I also want to encourage you to check out their books and hopefully be inspired to deepen your connection to this place — from the lush woodlands of Douglas State Fishing Lake to Delaware Indian landmarks in North Lawrence, the fertile prairie at Prairie Park and the wide expanse of diverse flora and fauna throughout our area.

About the weather, I have no guarantees, but if it is mild on Dec. 16 we will visit woodland trails at Douglas County Fishing Lake with Caleb Morse. Morse is a fantastic guide to learn from during a nature tour, especially if you want to learn about plant families and identify birds by their songs; he is the collection manager for the McGregor Herbarium and a contributor to "Flora of North America."

I’m curious to see these trails during their winter dormancy. Having visited this woodland in late spring, when the trees are fully leafed-out, I’ve been amazed at how much the sunlight is filtered — stepping back out of the woods is nearly blinding when the sun is shining.

Following that outing, Denise Low and Thomas Pecore Weso will help illuminate the former Delaware trading post in North Lawrence on Dec. 30. This married duo writes about connections of land to their Native American heritages.

Low is an award-winning author of prose and poetry, including "The Turtle’s Beating Heart: One Family’s Story of Lenape Survival." Her candid, compelling and poignant memoir reveals family history with vivid moments that smell like sunshine, to paraphrase the author.

Weso wrote the award-winning "Good Seeds: A Menominee Indian Food Memoir." He provides an intimate and nostalgic bridge into the rich heritage of his ancestors' ways of life. Wild rice is a source of cultural identity as well as sustenance, and recipes are included.

Another celebrated author in this series is Elizabeth Schultz; she will share her inspired, visual and lyrical poetry of natural wonder at Prairie Park on Jan. 6. Schultz is a professor emerita at the University of Kansas and author of "The Sauntering Eye: Kansas Meditations," a collection of poems on Kansas wildlife and environment.

Find more information about this series of events from the library’s website or this link: Local Authors Outside.

I hope you will step outside to enjoy local places, meet local authors and read their words to develop a greater appreciation for this place and our landmarks, prairies, wetlands and woodlands.

— Shirley Braunlich is a readers’ services assistant at the Lawrence Public Library.

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Luaka Bop and the world’s psychedelic classics

Almost 30 years ago, David Byrne (of Talking Heads fame) founded a record label “to turn people onto stuff [he] liked.” Because he’s David Byrne, and because he’s eminently cooler than you or me, the stuff he liked was Brazilian pop music.

In January of ‘89, Byrne released his first compilation, "Brazil Classics 1: Beleza Tropical." Three other Brazil Classics followed. From there, Luaka Bop — a record label name Byrne nicked off some tea packaging — and its “rather obscure Masonic” logo started to jump all over the globe. Cuba, England, India, West Africa, Japan, etc.

I wish I could claim to be a lifetime follower of Luaka Bop, but the truth is I’m a new convert. I hadn’t heard of the label until I stumbled upon the fifth of its "World Psychedelic Classics" series, "Who is William Onyeabor?" a year or two back.

"WiWO?" is a compilation of hits from one of Nigeria’s most enigmatic musicians. Throughout the late seventies and eighties, Onyeabor was “Nigeria’s answer to synth-pop and New Wave.”

He self-recorded, -pressed and -printed nine synth-propelled electronic funk records between 1977-1985 and then disappeared. He converted to Christianity, stopped talking about his music, opened a semolina mill and lived in a woodland palace as the high chief of his community until he passed away this January.

From start to finish "WiWO?" provides a smorgasbord of foot-tapping, head-bopping tunes. The album is pleasantly contradictory throughout. Firmly rooted in a specific time and place yet managing to transcend both. Paranoid and cheerful. Spiritual yet worldly. Even though its nine tracks come in at a whopping 73 minutes, when album closer “Fantastic Man” — recently popularized [thanks to Apple][2 ]— wraps up, you’re left wanting more.

Luckily, Luaka Bop has you covered. Nine times over, in fact. A year after they released "WiWO?," LB released Onyeabor’s entire recorded oeuvre in the nine-disc William Onyeabor box set. And while the albums are short — 17 minutes at the shortest, 37 at the lengthiest — they ought to occupy you for the foreseeable future.

After that, if you’re interested in what Onyeabor’s contemporaries sounded like, give "World Psychedelic Classics, Vol 3: Love’s a Real Thing: The Funky Fuzzy Sounds of West Africa" a try.

Published in 2004, this grab bag of '70s West African music is another delight. Going back to William Onyeabor for a minute, it was his inclusion in this collection that sent Luaka Bop on what ended up being a yearslong quest to get the rights to his discography in order to publish "WiWO?" and the box set.

But it’s not just Onyeabor that shines here. Each of the 12 songs completely transports you to an era and continent that's probably unlike anything you’ve experienced before (unless you lived in '70s Africa, I guess). Funk, soul, acid rock, Cuban rumba, Latin percussion and more elements combine with various local African sounds to expand your definition of "transatlantic" on this eminently listenable record.

Why stop there? If you’re hankering for more world music after that, you’ve still got "World Psychedelic Classics" volumes 1, 2, and 4 ahead of you. They cover Brazilian folk psychedelics Os Mutantes, America’s own Shuggie Otis and Brazilian genre bender Tim Maia. And that’s just one of Luaka Bop’s many series.

I guess what I’m trying to say is, there’s an entire world out there, and I’m glad the library (and Luaka Bop) does the legwork when it comes to introducing me to new music.

So what are ya waiting for? Come check out our world music collection already!

— Ian Stepp is an Information Services Assistant at Lawrence Public Library.

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From coal to Thoreau: the essays of “Practice Resurrection”

Not long ago I took a trip across the High Plains, and in addition to seeing more pronghorns and prairie dogs than I’ve ever seen, I also witnessed the landscape of Wyoming’s Thunder Basin for the first time. While much of it is drop-dead beautiful, one gets the feeling that something ominous is brewing there — roads are being repaved, railroads are new or well-maintained, and, of course, trucks are many, big, and well-used.

One soon finds out why. Thunder Basin is where about 40 percent of America’s coal is mined, though a traveler gets only an occasional glimpse of the massive dark pits uprooting acre after acre of prairie. It’s kind of the opposite of the mountain top removal mining that's tearing down places in Appalachia.

Serendipitously, upon my return to Lawrence I discovered Kentucky author Erik Reece, who recently published a wonderful new book, "Practice Resurrection." It turns out his previous work, titled "Lost Mountain," is what poet and fellow Kentuckian Wendell Berry calls “by far the best accounting of mountaintop removal and its effects.” In it Reece describes a year on a particular promontory, “thinking like a mountain,” in ecologist Aldo Leopold’s words, before said mountain’s head is blown off for the coal beneath.

My unanticipated examination of coal happened even as I launched River City River, the library’s series on Kansas Water and the Kaw. And so it came full circle, as we were reminded that one of the largest water users in the area is the coal-burning power plant just upstream.

Wendell Berry says, “Be joyful though you have considered all the facts.” So what I’m really here to tell you is how in addition to discussing rivers, all last month I lived beneath a babbling blue river — of birds. Henry Thoreau noted that “the jay is the bird of October,” and so it proved to be. It’s especially obvious if you live beneath a large pecan tree, which blue jays scream about even more than acorns.

The sight and sound of all those jays took me back to a day I spent years ago on a large rock on the Connecticut River, where raucous rivers of jays also flowed past. When not watching them, I read Annie Dillard’s "Pilgrim at Tinker Creek." Surprised by an acrobatic mockingbird, Dillard reminds us “beauty and grace are performed whether or not we will or sense them. The least we can do is try to be there.”

When investigating mountaintop removal mining, Erik Reece tries to be there. He takes a "live it and write it" approach. He also likes to read what I like to read, and liberally sprinkles quotes from authors of import in his wanderings. This is evident in "Lost Mountain," and is evident too in his "Practice Resurrection."

Right from the title, there is much to like in this wide-ranging collection of essays. Who can resist “Birding with Wendell Berry”? Not this reader. "Practice Resurrection" is dedicated “To Wendell, in memory of Guy,” and the title itself is from one of Berry’s Mad Farmer poems. Guy is Guy Davenport, a “densely allusive and disarmingly erudite” writer who I’ve been intrigued (and baffled) by for years. Reece considers him his mentor, and I thank him for sending me back into the Davenport thicket.

There are chapters on human aviation, nature’s circulatory system, one that appeared as the introduction to "Remembering Guy Davenport," which Reece edited, a meditation on suicide and Mark Rothko, and much more. My favorite is “A Week on the Kentucky River Reading Henry David Thoreau’s A Week on the Concord and Merrimack Rivers, Which Nobody Reads Anymore (But Should)” -- it’s shades of Edward Abbey’s inimitable “Down the River with Henry Thoreau,” but very different and also worth reading.

Reece, like Thoreau, builds his own boat, and names it for Henry’s unrequited love, Ellen Sewall. Down the Kentucky he floats (Henry and his brother John, predictably, went against the current), pondering companionship, ecology, religion, poetry, capitalism, and Henry Thoreau. It’s a lovely journey.

The penultimate chapter in "Practice Resurrection" is called “Speak and Bear Witness” and comes out of Reece’s time researching "Lost Mountain."

Part of what makes any story engaging is a degree of familiarity, a sometimes not-so-subtle reminder to us of things we already know. Mining disrupts social systems. Mining exterminates ecosystems. Mining perpetuates destructive economic systems. These things we know. We might also remember, along with Erik Reece, the words of ecologist Aldo Leopold: “A thing is right when it preserves the integrity, stability, and beauty of the biotic community. It is wrong when it tends otherwise.”

-Jake Vail is an Information Services Assistant at Lawrence Public Library.

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Discover a made-up menagerie in children’s books

As an animal lover growing up in Kansas, I thought our annual grade school field trip to the University of Kansas Natural History Museum was always a high point. I adored the famous panorama of taxidermy, and the working, cutaway beehive, but what I looked forward to most was the chance to gaze upon a real jackalope.

We adults require our animals to be just what they are, but I often think the world would be a better place if we hadn’t lost whatever it is about kids that allows them to accept the possibility of crazy animal hybrids. I’m as big a stick in the mud as any when it comes to combining species. After all, it recently took 30 minutes of bickering and a Wikipedia entry to convince me that cattle and buffalo had been crossed to produce an animal called a beefalo.

If there is one place such a creature could roam free, it’s in the children’s collection at the library. In fact, there are so many weird animals to be found here, I sometimes think of it as a warmer, fuzzier "Island of Dr. Moreau," with the sociopathic, mad scientist of that title replaced by a maniacal Lisa Frank, fresh off a post-doc fellowship in genetics at Johns Hopkins, flush with grant money and ready to combine as many cute animals as she can get her hands on.

Most remember the Gryphon, a lion and eagle mash-up immortalized by Victorian illustrator John Tenniel in "Alice’s Adventures in Wonderland." But there are so many other wondrous species within the pages of books, I’ve compiled them over the years into a sort of children’s literature bestiary. Without further ado, here are my five favorites:

Kitten + Mermaid = Purrmaid. “It was a paws-itively beautiful morning in Kittentail Cove,” begins this series of early chapter books. Can you go wrong with a start like that? Kitten-mermaid hybrids Coral, Shelly and Angel, with no visible gills (perhaps they invoke the same magic Daryl Hannah used to allow Tom Hanks to breathe underwater at the end of "Splash"), navigate the treacherous distance to Tortoiseshell Reef. But can they keep from devouring their own tails?

Grizzly bear + Buffalo = Gruffalo. In addition to being hailed as a modern classic, an animated version of this picture book received an Oscar nomination for Best Short Film. I agree with The Guardian reporter who called it a scandal that its author, Julia Donaldson, who was Children’s Laureate of the UK from 2011-13, is not better known. Her books, which include "What the Ladybug Heard," "Stick Man," and "Room on the Broom," are as clever as the mouse in this story, who outsmarts every predator in the forest, including the Gruffalo, rhyming in couplets all the while.

? + ? = Hank. In Rebecca Dudley’s "Hank Finds an Egg," Hank finds an egg. When the egg hatches, it’s obvious what kind of animal was inside. Just what Hank is, however, remains a mystery. Puppy? Bear cub? Weasel in a sock monkey costume? In a sequel, "Hank Has a Dream," Hank has a dream. But we still don’t learn what knitting of species produced him.

Camel + Zebra + Giraffe + Elephant + Rhinoceros + Reindeer = Whingdingdilly. Bill Peet, who had a hand in many of the animated features of Disney’s first golden era ("Snow White and the Seven Dwarfs," "101 Dalmatians," and most famously, due to a falling out with Walt Disney during its creation, "The Jungle Book") before he turned full-time to children’s books, may hold the record for combining the most species. He also holds the record for most books ever written about the experience of keeping a pet capybara (one).

Cat + Bird = Catwings. Ursula K. Le Guin’s children’s fiction is as thoughtfully beautiful as the adult science fiction and fantasy for which she has garnered so many awards. Her "Earthsea Cycle" is about as good as science fiction for older kids gets, and the four "Catwings" books she wrote for younger readers decades ago are still as irresistible to their audience as real live winged cats would be. Mrs. Jane Tabby’s four kittens, Thelma, James, Harriet, and Roger can fly somewhere better than the Dumpster in which they were born. But when they see themselves in a mirror, do they do that weird bitey thing cats do when they see a bird outside a window?

— Dan Coleman is a collection development librarian at the Lawrence Public Library.

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Two books to celebrate the season of the witch

Magician, wizard, practitioner of magic, whatever you want to call that person, I'll bet some of the first examples that pop into your head are male: Harry Potter, Merlin, Gandalf. The greats of the fantasy genre are usually males with women in supporting roles. Women are the wife, the jealous lover, the know-it-all, and sometimes in a world full of men practicing magic, they have no magical ability at all.

Growing up enamored with the fantasy genre and novels filled with magic, I found my favorites: Tamora Pierce’s "Song of the Lioness Quartet," Garth Nix’s "Abhorsen" series and of course the biggie, J. K. Rowling’s Harry Potter books. But for every Alanna and Sabriel there were dozens of Harrys and Eragons.

Young adult and juvenile fiction have been quick to turn around, but it can be pretty difficult when browsing the adult fantasy shelves to find a novel centered on a well-rounded female character. Fantasy has long been reigned over by male protagonists, but there are female writers like Ami McKay and Kat Howard who are daring to go where only Robert Jordan and J. R. R. Tolkien had gone before. Let me talk to you about witches in America. I promise you won’t be disappointed.

"An Unkindness of Magicians" by Howard and "The Witches of New York" by McKay are so similar yet dissimilar that when I read them back to back, quite by chance, I couldn’t wait to write about them. Let me start off by saying that these are two very different novels. They have a lot of commonalities like magic, fierce women, self-discovery, community and their big-city setting, but "An Unkindness of Magicians" reads like a gritty revenge story, while "The Witches of New York" is historical fantasy and very much an exploration of women’s issues.

The way magic is portrayed is also very different. "The Witches of New York" hails from the common understanding of witches: tea leaves, palm reading, incantations, communing with the dead. "An Unkindness of Magicians" reeks of a more technical magic: spells woven intricately with fingers to create illusions and to kill. Both books are unflinchingly beautiful.

"An Unkindness of Magicians" follows Sydney as she competes in the Turning, a magical competition that takes place every 20 years to determine the next ruler of the Unseen World. This hidden enclave of magicians ensconced in New York City, unknown to the mundane inhabitants, sold Sydney into magical servitude. She’s broken free and wants to watch the Unseen World burn.

This novel is so expertly woven that it feels as if Howard worked her own particular spell in prose. With multiple viewpoints and many switches between them all, the pace is a little dizzying but utterly satisfying; this may be my favorite book of the year. Apparently, the title is based on collective nouns: a murder of ravens, a flamboyance of flamingos, a parliament of owls. When steeped in absolute power—over magic and people — what else would brew up, except "An Unkindness of Magicians"?

We’re still in NYC for our next book, but rewind the clock 137 years. "The Witches of New York" starts in the autumn of 1880, and instead of one determined magician, we are greeted by three very different, well-rounded witches.

Compelled by an ad in the paper seeking a shop girl that closes with “those averse to magic need not apply,” Beatrice leaves her small town upstate for New York City. She begins her work at Tea and Sympathy with Adelaide, a fortune teller and Eleanor, a mixer of potions, teas, and all sorts of spells. All three women grapple with their power and what it means to be a witch in a city equally obsessed with technology and seances, superstition and progress.

Hounded by forces both normal and paranormal, Beatrice, Adelaide and Eleanor must find their place in the world while conquering their own fears. "The Witches of New York" has a lot going on, and even though there were parts I wanted to skim through, I found each character enchanting.

While "An Unkindness of Magicians" is sleek and wholly its own, McKay’s work dabbles in everything from fairies to Cleopatra’s Needle to tasseomancey (tea leaf reading). It confronts head on the persecution women faced for being “other” and has so many parallels to what women face in current times that it feels modern while being unapologetically eclectic.

There you have it: two fantasy books with women at the forefront. Finding well-developed female protagonists can be a struggle, and there are so many books that I roll my eyes at or don’t finish because the central character doesn’t have depth or isn’t compelling. But Sydney, Beatrice, Eleanor and Adelaide are sure to bewitch you. I have definitely fallen under their spell and can’t wait to escape to their worlds again.

— Lauren Taylor is a youth services assistant at the Lawrence Public Library.

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Five-star young adult books published this year

Liked it, really liked it, it was amazing — if you’re a GoodReads user, you’ll recognize these as the three, four, and five star ratings on the site. I admit, I’m probably a little over-generous with my stars.

Looking back at this year’s reads, I’ve given no less than three stars to each. But I also feel like I’ve read some really good books.

Because I order books for the teen collection, many of those reads were young adult books. I know it’s a tad bit early for “Best of 2017” lists, but here are five published this year that I unhesitatingly gave five stars:

"The Gentleman’s Guide to Vice and Virtue" By Mackenzi Lee

With "The Gentleman’s Guide," Mackenzie Lee brings the 18th century to life in a way that engages and enlightens the modern reader. Henry “Monty” Montague embarks on a grand tour of Europe with his younger sister, Felicity, and his best friend Percy. Monty is charmingly arrogant, secretly obsessed with Percy, and has a penchant for getting the three of them in the worst trouble. Through their adventures, Felicity and Percy bring balance to the reckless and self-obsessed Monty we meet at the beginning of the book. It’s a fun romp full of history, adventure and forbidden romance.

"Radio Silence" by Alice Oseman

Frances spends most of her free time studying, but she has one extracurricular obsession: a podcast mystery. When she gets the opportunity to contribute her artwork, she befriends the otherwise anonymous creator, but as the podcast gains popularity, it’s hard to keep his trust. Fans of Rainbow Rowell's "Eleanor & Park" take note: current, diverse, and filled with quirky adorableness. You won't want to put it down until you're done.

"The Hate U Give" by Angie Thomas

This is probably one of the most important and timely reads of the year. Starr Carter’s life is turned upside down when she witnesses the death of her best friend at the hands of a police officer during a traffic stop. Born and raised in a predominantly poor, black neighborhood, Starr attends a private school that’s mostly white. After her friend’s death, she struggles with helping bring justice for her friend and determining her place in these two communities.

"Perfect Ten" By L. Philips

If the adorable cover doesn't draw you in, the story definitely will. Frustrated with the lack of eligible guys at his school, Sam crafts a list of 10 traits he wants in a boyfriend for a love spell his Wiccan best friend, Meg, suggests performing. And voila, three perfect guys enter Sam's life — all in pursuit of him. Sam’s the kind of character you'll be annoyed with and then adore, never want to hear from again, and then find yourself obsessing over. A delightful teen rom-com with lots of heart, some drama and hints of magical realism.

"Looking for Group" by Rory Harrison

My new favorite road trip novel. It’s a beautiful story about taking charge of your own life and connecting with those who accept you for who you are. Dylan is in remission, addicted to medications and struggling to get along with a mother who only takes advantage of his situation. Arden lives with a father who refuses to accept her as she is. They've only met online playing World of Warcraft, but when Dylan shows up on Arden's doorstep, they decide to abscond across the country on their first real life mission. A fun, endearing read.

— William Ottens is the Cataloging and Collection Development Coordinator at Lawrence Public Library.

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“The Man from the Train”: a midwest murder case for the history books

Bill James and Rachel McCarthy James' nonfiction "The Man from the Train" opens with the brutal murder of 8 people in the quiet town of Villisca, Iowa during the summer of 1912.

The murders rocked the tiny town and fed the newly burgeoning press scene with half-truths and speculation. Though the press could be wildly unhelpful, authorities could now see a continued pattern of murders stringing along the rail lines from small town to small town in the Midwest thanks to the reporting and sharing of information across county and state lines.

Bill James and Rachel McCarthy James work backward through time, focusing on the later, more reported murders first, then weaving into the creation of the titular Man from the Train. We see the established patterns and psychoses, then see how the assailant built his skill set of quietly murdering families, then disappearing without a trace.

The authors not only detail the murders of those whom they have concluded are the work of our assailant, but they also detail other crimes and attacks they believe are not the work of the Man from the Train to establish a set pattern for the crimes. This psychological profiling pays off as the reader progresses through the book.

One of my favorite elements of historical nonfiction, whether it be biography, history or true crime, is the well-researched world building authors do to place the reader in their story. Learning about 19th century medical procedures in Candice Millard’s "Destiny of the Republic," or the 17th century philosophy of scientific inquiry in Holly Tucker’s "Blood Work," creates a truly immersive experience for the reader.

The authors detail police procedure (or lack thereof), the press, and the explosion of information that occurred between 1909 and 1912 that allowed police to share information and see the multi-jurisdictional puzzle that our assailant had been creating for almost 15 years.

Police work during the height of the killing spree was quite often crowdfunded and utilized the services of private investigators. Local police departments, especially in the small rural towns where the Man from the Train struck, simply did not have the resources to carry out time-consuming and expensive investigations. This created the need for private investigation firms (the most famous being the Pinkerton Agency) to step in.

One of the best characters (and by best, I mean most vile and opportunistic) is investigator J. N. Wilkerson of the Burns Agency, who was more interested in extorting money from innocent people rather than actually solving the horrendous Villisca crime. With little governmental oversight, this was common practice among investigators, who would declare innocent a suspect brought into custody by local police forces and condemn another party guilty in order to claim a not insubstantial reward for “solving” the crime.

This is only one example of the historical detail the authors go into. The rest are equally fascinating and describe the boons and perils technology brings to any time, whether it’s 1910 or 2017.

I’ve never been one for true crime until recently. "The Keepers," a seven part series that premiered on Netflix that details the continued investigation of a nun’s murder in the 1960’s, proved to be my gateway to the genre. In today’s culture, we are constantly inundated with the idea of violence with no rational motive in fiction and nonfiction, whether it’s in the shower of the Bates Motel or the pages of a memoir by convicted BTK killer Dennis Rader.

The authors of "The Man from the Train" argue early on that this is a relatively new phenomenon, no doubt stroked by sensationalism and media exposure. However, irrational killing was not on the radar of early 20th century police in small rural towns where the murder rate was only one or two cases a year. They often looked for motives such as revenge or passion, which is one of many reasons our assailant was able to kill for so long, undetected.

If true crime and historical sleuthing are your thing, "The Man from the Train" reads like a thriller and gives you a backstage pass into the authors’ research techniques and Sherlockian deductions. It’s a great read and a testament to the archaeological research done to piece together the profile of one of the worst serial killers in the country.

Bill James and Rachel McCarthy James will talk about the book at Lawrence Public Library on Nov. 9 at 7 p.m. The Raven bookstore will sell copies and a signing will follow the reading.

— Kristin Soper is the programs and events coordinator at the Lawrence Public Library.

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