Archive for Friday, July 17, 2009

The ‘Naked’ Truth: Lawrence celebrates 50-year anniversary of William S. Burroughs’ definitive work

William S. Burroughs sits among some of his artwork while living in Lawrence in the late 1980s. The late author will be honored with an art show and gathering to celebrate the 50th anniversary of the release of his signature novel, “Naked Lunch.”

William S. Burroughs sits among some of his artwork while living in Lawrence in the late 1980s. The late author will be honored with an art show and gathering to celebrate the 50th anniversary of the release of his signature novel, “Naked Lunch.”

July 17, 2009

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“‘Disgusting,’ they said ... ‘Pornographic’ ... ‘Un-American trash’ ... ‘Unpublishable’ ... Well, it came out in 1959, and it found an audience ... Town meetings ... Book burnings ... And an inquiry by the State Supreme Court ... That book made quite a little impression.” —William S. Burroughs on his novel “Naked Lunch”



Whether beloved, vilified or avoided, few will argue that “Naked Lunch” remains among the landmark works of American literature.

“It’s one of the most radical, drastic pieces of innovation in the history of art,” says Tom King.

He remembers buying it in his youth because he “heard it was a dirty book.”

“I tried to read it, but I got nowhere,” King remembers. “I think at some point, if you consider yourself to be intellectually oriented, you’re going to have to address the Beat movement, particularly ‘Naked Lunch.’ It’s one of the most challenging books ever written. I’ve never finished it.”

Despite his ongoing battles with the work, King decided to help mark the 50-year anniversary since William S. Burroughs first published this definitive work.

Past Event
Opening: "Naked Leftovers," paintings by William S. Burroughs

A celebration in conjunction with the 50th anniversary of Naked Lunch

  • When: Sunday, August 2, 2009, 6 p.m. to 9 p.m.
  • Where: The Bourgeois Pig, 6 E. Ninth, Lawrence
  • Cost: Free
  • More on this event....

King — a project manager for William Burroughs Communications and the official caretaker of the Burroughs house in Lawrence, who also writes for this publication — has helped organize an homage to William Burroughs and “Naked Lunch.” On Aug. 2 (the 12th anniversary of Burroughs’ passing in Lawrence), an exhibit of the author’s paintings and evening of tribute will be held at The Bourgeois Pig. An exhibit of some of the tools he used to create that art will be on display at the DotDotDot Gallery the night before.

“As time passes, the list of people still living who actually knew Burroughs one on one is dwindling. It so happens that a great concentration of those people are found in Lawrence,” says James Grauerholz, personal secretary and longtime companion of Burroughs.

Grauerholz himself was 14 when he first picked up a copy of “Naked Lunch,” which introduced him to the atypical author.

“I couldn’t put it down. As soon as I read it, I went back to page one and read it again,” he says.

“It was easy for me to read and enjoy because of two things: I identified with the sexuality. And I had a dark, corrosive sense of humor. I sometimes tell people, ‘You didn’t understand it because you didn’t realize it’s funny.’”

James Grauerholz (left) with William S. Burroughs at Burroughs' house in Lawrence, 1994.

James Grauerholz (left) with William S. Burroughs at Burroughs' house in Lawrence, 1994.

Grauerholz admits people often come up to him and confess they couldn’t make it through the book (which was also adapted into a film by director David Cronenberg in 1991). Those that do often suggest finding tapes of Burroughs reading the material.

“After they hear his voice, most people claim there is an internal breakthrough and they can read his work,” Grauerholz says.

Profound but terrifying

“Naked Lunch” was originally published in 1959 in Paris by Olympia Press. It took three years before an American edition by Grove Press would follow.

Grove Press is releasing a 50th-anniversary edition this fall. David L. Ulin, Los Angeles Times books editor, contributes an essay in the foreword.

“There’s nothing quite like it in terms of how I have to give myself up to it, the kind of dreamy quality, the idea of a writer who is writing against language in some way and writing toward silence,” Ulin says.

Like Grauerholz, Ulin was in high school when he first attempted to hurdle the narrative obstacle.

“It was so different than anything else I’d tried to read, and so different than the other Beat books,” he recalls. “I was confused by it. I kept putting it down and kept trying to get back into it and figure it out.”

Past Event
Naked Leftovers: Burroughs' Art Objects

  • When: Saturday, August 1, 2009, 6 p.m. to 9 p.m.
  • Where: DotDotDot ArtSpace, 1910 Haskell Ave., Lawrence
  • Cost: Free
  • More on this event....

Finally, in college he worked his way through the novel.

“It was only really when I gave up whatever outside preconceptions about who Burroughs was, and gave myself over to it, did I find it really profound and interesting,” he says. “Now when I read it in my 40s — not that different than the age Burroughs was when he wrote it — I’m picking up something completely different that I didn’t pick up when I was 18 or 22 or 28.”

While researching a feature article in 1996, Ulin traveled to Lawrence to spend a week with the author (who lived in the city from 1981 until his death in 1997). Because so much mythology surrounded the Beat generation icons, he found it sometimes difficult to see Burroughs’ writing for what it really was.

“He was such a pop culture figure at the end of his life — he was on TV, he was doing Nike ads, he was doing all those readings and spoken words, he was in the movies, so he was this figure. This culture had so latched on to this pop culture image of him as opposed to a literary culture image of him. So when he died and wasn’t physically present anymore, he kind of disappeared and fell off the radar screen in a way that is unfortunate and unfair,” Ulin says.

Now that attention is again being focused on Burroughs’ written works, the reality of the author is more in balance with the mythology.

“(Burroughs) was so out on the edge and living it. He was walking it the way he talked it,” Ulin says. “Sometimes confronting that artistic experience is profound, but it’s also terrifying.”

Into the art world

Similar 50th-anniversary tributes to “Naked Lunch” were staged this June in Paris. Events continue in New York during October.

The Lawrence one is unique in that it isn’t only concerned with the printed page. Rather, it features a strong visual aspect.

The exhibit “Naked Leftovers: Paintings by William S. Burroughs” runs Aug. 2 through 29.

Home Movie: "W.S.B." (large)

Burroughs and local friends; plus Allen Ginsberg, Patti Smith, Steve Buscemi, and cats. (16:41) Enlarge video

“Tom King and I were sitting on the porch talking about the 50th anniversary of ‘Naked Lunch,’ and he mentioned that nothing had been scheduled anywhere to commemorate this in Lawrence,” recalls Molly Murphy, Bourgeois Pig show curator.

The Pig seemed the appropriate place, since Charlie Whitman (his lawyer) used to own the coffee shop and bar, many of his friends still frequent the establishment, Hunter S. Thompson made a stop in when he was in town to visit William, and William did the first art show at the Pig — if we remember correctly.”

Murphy asked Yuri Zupancic, whom she calls a “young and energized artist,” to choose the pieces for the exhibit. (Zupancic also curated the Aug. 1 show at the DotDotDot Gallery.)

“I feel this is an important event, whatever your feelings about ‘Naked Lunch’ or Burroughs, for Lawrence was the place William chose as his home. He created here; he made friends here. I believe we should take pride in the fact that we became the hometown of such an influential artist,” Murphy says.

Burroughs in Lawrence

Grauerholz leads the charge when appraising the author’s hometown influence. And he’s been able to quantify it to some degree thanks to days spent researching Google trends data.

“I recently did a whole round of that in order to demonstrate the conceptual link between Lawrence and William Burroughs. ... There are at least a million people in this world who, when they hear the words ‘Lawrence, Kansas,’ they think of one thing: That’s where William Burroughs lived,” he says.

King has seen this first-hand by living at the former Burroughs homestead at 1927 Learnard Ave.

“It’s unbelievable how many people come by his house still,” King says of the 1933 Sears kit home.

“This summer has to be a record. I used to get five or 10 people a week. Now it’s that many just on the weekend. They drive by very slowly a couple of times — like a shark — then they’ll pull up, get out and take a picture standing in front of the house.”

King — who never actually met Burroughs — has also encountered people rummaging through his back yard.

“There’s an old typewriter in the back, and stealing the keys seems to be a popular sport,” he says.

That sport is unlikely to cease anytime soon, as the 50-year anniversary of “Naked Lunch” continues to concentrate more national interest on the controversial author.

Grauerholz adds, “Anybody who wishes the ‘Burroughs in Lawrence’ trope would go away is out of luck, because it’s only growing.”