Los Angeles ? It was sequel this, sequel that in 2002 Hollywood, which rode a strong wave of followup films and some new franchises to its own repeat performance: yet another year of record revenues.

Domestic box-office receipts topped $9 billion for the first time, with the final tally likely to be up about 10 percent from last year’s record $8.35 billion.

Although some of that increase could be attributed to an estimated 5 percent increase in the price of a movie ticket, it also reflects a healthy rise in attendance, said Paul Dergarabedian, president of box-office tracker Exhibitor Relations.

“Less originality sometimes breeds more box office,” Dergarabedian said. “Much as people like to say they want to see something new, when people are spending money, it seems less of a gamble to see Mike Myers in ‘Austin Powers’ again.”

The number of tickets sold in 2002 edged past 1.5 billion, the highest in decades, though still far below peak levels of the 1930s and ’40s, before television became a prime source of entertainment.

Movie attendance has risen steadily in the past decade as theater chains built swankier venues with better seating and sound, and studios threw more marketing resources into big-event pictures such as “Spider-Man,” “Harry Potter and the Chamber of Secrets” and “The Lord of the Rings: The Two Towers,” three of the year’s hits.

“Spider-Man” is spinning a sequel, and the other two films already are part of franchises. Other followups in 2002 included “Star Wars: Episode II — Attack of the Clones,” “Austin Powers in Goldmember,” “Men in Black II,” “The Santa Clause 2” and the James Bond adventure “Die Another Day.”

Nia Vardalos, right, and John Corbett appear in a scene from Gold Circle Films' My

Studios remained focused on advertising blitzes to produce huge opening weekends. “Spider-Man” shattered the record for best first weekend, grossing $114.8 million in the first three days on its way to a $406 million total, and pacing distributor Sony to a nearly $1.6 billion year, a record for any single studio.

Yet the feel-good romance “My Big Fat Greek Wedding” caught Hollywood by surprise, becoming an out-of-left-field blockbuster the old-fashioned way, by viewers spreading the word.

Shot for just $5 million, a fraction compared to big studio flicks, “Greek Wedding” climbed steadily to a $218 million return, remaining in the top 20 nine months after its initial release in a fast-food climate in which most movies linger only a month or two.

Hollywood had a record seven $200 million-plus hits — “Spider-Man,” “Attack of the Clones,” “Chamber of Secrets,” “Signs,” “Greek Wedding,” “Austin Powers in Goldmember” and “The Two Towers” — one more than last year’s record.