BEGIN:VCALENDAR
VERSION:2.0
PRODID:Events from LJWorld.com
X-WR-CALNAME:Events from LJWorld.com
X-WR-CALDESC:Events from LJWorld.com
BEGIN:VEVENT
SUMMARY:Recollection/Re-Collection\, works by Jane Waggoner Deschner
URL;VALUE=URI:http://www2.ljworld.com/events/ongoing/59237/
DTSTART:20121102T090000
DESCRIPTION;ENCODING=QUOTED-PRINTABLE:JANE EXPRESSES A PERSONAL NARRATIVE that examines her past\, present\, and future.  Disappointing experiences and interrupted expectations of “happy family” zigzagged through her life\, eventually leading her to collect and explore mid-20th Century vernacular photographs.\n\nFamily photos present the universality (and interchangeability) of our everyday lives – personal\, intimate documents of certainty (idealized and realistically unreal as they are). People were first able to take their own photographs in the late 1800s.  Since then\, snapshooting has become a widespread act of creative expression and selective remembrance practiced by virtually everyone.  Studio portraits taken by quasi-professionals commemorate life’s important passages. Billions of scraps of paper – snapshots\, studio portraits and school photographs – record snippets of lives.  They show the way we wish our families and ourselves could have been and point to bigger truths shared among us.
RRULE:FREQ=WEEKLY;INTERVAL=1;UNTIL=December 14, 2012T090000
LOCATION:Lawrence Arts Center
END:VEVENT
BEGIN:VEVENT
SUMMARY:Recollection/Re-Collection\, works by Jane Waggoner Deschner
URL;VALUE=URI:http://www2.ljworld.com/events/ongoing/59237/
DTSTART:20121102T090000
DESCRIPTION;ENCODING=QUOTED-PRINTABLE:JANE EXPRESSES A PERSONAL NARRATIVE that examines her past\, present\, and future.  Disappointing experiences and interrupted expectations of “happy family” zigzagged through her life\, eventually leading her to collect and explore mid-20th Century vernacular photographs.\n\nFamily photos present the universality (and interchangeability) of our everyday lives – personal\, intimate documents of certainty (idealized and realistically unreal as they are). People were first able to take their own photographs in the late 1800s.  Since then\, snapshooting has become a widespread act of creative expression and selective remembrance practiced by virtually everyone.  Studio portraits taken by quasi-professionals commemorate life’s important passages. Billions of scraps of paper – snapshots\, studio portraits and school photographs – record snippets of lives.  They show the way we wish our families and ourselves could have been and point to bigger truths shared among us.
RRULE:FREQ=WEEKLY;INTERVAL=1;UNTIL=December 14, 2012T090000
LOCATION:Lawrence Arts Center
END:VEVENT
BEGIN:VEVENT
SUMMARY:Recollection/Re-Collection\, works by Jane Waggoner Deschner
URL;VALUE=URI:http://www2.ljworld.com/events/ongoing/59237/
DTSTART:20121102T090000
DESCRIPTION;ENCODING=QUOTED-PRINTABLE:JANE EXPRESSES A PERSONAL NARRATIVE that examines her past\, present\, and future.  Disappointing experiences and interrupted expectations of “happy family” zigzagged through her life\, eventually leading her to collect and explore mid-20th Century vernacular photographs.\n\nFamily photos present the universality (and interchangeability) of our everyday lives – personal\, intimate documents of certainty (idealized and realistically unreal as they are). People were first able to take their own photographs in the late 1800s.  Since then\, snapshooting has become a widespread act of creative expression and selective remembrance practiced by virtually everyone.  Studio portraits taken by quasi-professionals commemorate life’s important passages. Billions of scraps of paper – snapshots\, studio portraits and school photographs – record snippets of lives.  They show the way we wish our families and ourselves could have been and point to bigger truths shared among us.
RRULE:FREQ=WEEKLY;INTERVAL=1;UNTIL=December 14, 2012T090000
LOCATION:Lawrence Arts Center
END:VEVENT
BEGIN:VEVENT
SUMMARY:Recollection/Re-Collection\, works by Jane Waggoner Deschner
URL;VALUE=URI:http://www2.ljworld.com/events/ongoing/59237/
DTSTART:20121102T090000
DESCRIPTION;ENCODING=QUOTED-PRINTABLE:JANE EXPRESSES A PERSONAL NARRATIVE that examines her past\, present\, and future.  Disappointing experiences and interrupted expectations of “happy family” zigzagged through her life\, eventually leading her to collect and explore mid-20th Century vernacular photographs.\n\nFamily photos present the universality (and interchangeability) of our everyday lives – personal\, intimate documents of certainty (idealized and realistically unreal as they are). People were first able to take their own photographs in the late 1800s.  Since then\, snapshooting has become a widespread act of creative expression and selective remembrance practiced by virtually everyone.  Studio portraits taken by quasi-professionals commemorate life’s important passages. Billions of scraps of paper – snapshots\, studio portraits and school photographs – record snippets of lives.  They show the way we wish our families and ourselves could have been and point to bigger truths shared among us.
RRULE:FREQ=WEEKLY;INTERVAL=1;UNTIL=December 14, 2012T090000
LOCATION:Lawrence Arts Center
END:VEVENT
BEGIN:VEVENT
SUMMARY:Recollection/Re-Collection\, works by Jane Waggoner Deschner
URL;VALUE=URI:http://www2.ljworld.com/events/ongoing/59237/
DTSTART:20121102T090000
DESCRIPTION;ENCODING=QUOTED-PRINTABLE:JANE EXPRESSES A PERSONAL NARRATIVE that examines her past\, present\, and future.  Disappointing experiences and interrupted expectations of “happy family” zigzagged through her life\, eventually leading her to collect and explore mid-20th Century vernacular photographs.\n\nFamily photos present the universality (and interchangeability) of our everyday lives – personal\, intimate documents of certainty (idealized and realistically unreal as they are). People were first able to take their own photographs in the late 1800s.  Since then\, snapshooting has become a widespread act of creative expression and selective remembrance practiced by virtually everyone.  Studio portraits taken by quasi-professionals commemorate life’s important passages. Billions of scraps of paper – snapshots\, studio portraits and school photographs – record snippets of lives.  They show the way we wish our families and ourselves could have been and point to bigger truths shared among us.
RRULE:FREQ=WEEKLY;INTERVAL=1;UNTIL=December 14, 2012T090000
LOCATION:Lawrence Arts Center
END:VEVENT
BEGIN:VEVENT
SUMMARY:Recollection/Re-Collection\, works by Jane Waggoner Deschner
URL;VALUE=URI:http://www2.ljworld.com/events/ongoing/59237/
DTSTART:20121102T090000
DESCRIPTION;ENCODING=QUOTED-PRINTABLE:JANE EXPRESSES A PERSONAL NARRATIVE that examines her past\, present\, and future.  Disappointing experiences and interrupted expectations of “happy family” zigzagged through her life\, eventually leading her to collect and explore mid-20th Century vernacular photographs.\n\nFamily photos present the universality (and interchangeability) of our everyday lives – personal\, intimate documents of certainty (idealized and realistically unreal as they are). People were first able to take their own photographs in the late 1800s.  Since then\, snapshooting has become a widespread act of creative expression and selective remembrance practiced by virtually everyone.  Studio portraits taken by quasi-professionals commemorate life’s important passages. Billions of scraps of paper – snapshots\, studio portraits and school photographs – record snippets of lives.  They show the way we wish our families and ourselves could have been and point to bigger truths shared among us.
RRULE:FREQ=WEEKLY;INTERVAL=1;UNTIL=December 14, 2012T090000
LOCATION:Lawrence Arts Center
END:VEVENT
BEGIN:VEVENT
SUMMARY:Recollection/Re-Collection\, works by Jane Waggoner Deschner
URL;VALUE=URI:http://www2.ljworld.com/events/ongoing/59237/
DTSTART:20121102T090000
DESCRIPTION;ENCODING=QUOTED-PRINTABLE:JANE EXPRESSES A PERSONAL NARRATIVE that examines her past\, present\, and future.  Disappointing experiences and interrupted expectations of “happy family” zigzagged through her life\, eventually leading her to collect and explore mid-20th Century vernacular photographs.\n\nFamily photos present the universality (and interchangeability) of our everyday lives – personal\, intimate documents of certainty (idealized and realistically unreal as they are). People were first able to take their own photographs in the late 1800s.  Since then\, snapshooting has become a widespread act of creative expression and selective remembrance practiced by virtually everyone.  Studio portraits taken by quasi-professionals commemorate life’s important passages. Billions of scraps of paper – snapshots\, studio portraits and school photographs – record snippets of lives.  They show the way we wish our families and ourselves could have been and point to bigger truths shared among us.
RRULE:FREQ=WEEKLY;INTERVAL=1;UNTIL=December 14, 2012T090000
LOCATION:Lawrence Arts Center
END:VEVENT

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