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VERSION:2.0
PRODID:Events from LJWorld.com
X-WR-CALNAME:Events from LJWorld.com
X-WR-CALDESC:Events from LJWorld.com
BEGIN:VEVENT
SUMMARY:Mary Sibande and Sophie Ntombikayise Take Central Court
URL;VALUE=URI:http://www2.ljworld.com/events/ongoing/56682/
DTSTART:20120811T120000
DESCRIPTION;ENCODING=QUOTED-PRINTABLE:Emerging 29-year-old artist Mary Sibande lives and works in Johannesburg\, South Africa. This work\, the first in a U.S. museum collection\, culminates Sibande’s series of sculptural installations featuring four generations of women in her family\, all of whom worked as domestic servants. The name Sophie comes from a real and imagined collective narrative. The wonderfully overblown gown -- an artificial hybrid costume of maid’s uniform and regal Victorian dress -- provides the tableau on which Sibande unveils her story. Through Sophie-Ntombikayise\, Sibande addresses the "traditional" role of black women in South Africa and other countries with a history of black servitude.
RRULE:FREQ=WEEKLY;INTERVAL=1;UNTIL=January 13, 2013T120000
LOCATION:Spencer Museum of Art
END:VEVENT
BEGIN:VEVENT
SUMMARY:Mary Sibande and Sophie Ntombikayise Take Central Court
URL;VALUE=URI:http://www2.ljworld.com/events/ongoing/56682/
DTSTART:20120811T100000
DESCRIPTION;ENCODING=QUOTED-PRINTABLE:Emerging 29-year-old artist Mary Sibande lives and works in Johannesburg\, South Africa. This work\, the first in a U.S. museum collection\, culminates Sibande’s series of sculptural installations featuring four generations of women in her family\, all of whom worked as domestic servants. The name Sophie comes from a real and imagined collective narrative. The wonderfully overblown gown -- an artificial hybrid costume of maid’s uniform and regal Victorian dress -- provides the tableau on which Sibande unveils her story. Through Sophie-Ntombikayise\, Sibande addresses the "traditional" role of black women in South Africa and other countries with a history of black servitude.
RRULE:FREQ=WEEKLY;INTERVAL=1;UNTIL=January 13, 2013T100000
LOCATION:Spencer Museum of Art
END:VEVENT
BEGIN:VEVENT
SUMMARY:Mary Sibande and Sophie Ntombikayise Take Central Court
URL;VALUE=URI:http://www2.ljworld.com/events/ongoing/56682/
DTSTART:20120811T100000
DESCRIPTION;ENCODING=QUOTED-PRINTABLE:Emerging 29-year-old artist Mary Sibande lives and works in Johannesburg\, South Africa. This work\, the first in a U.S. museum collection\, culminates Sibande’s series of sculptural installations featuring four generations of women in her family\, all of whom worked as domestic servants. The name Sophie comes from a real and imagined collective narrative. The wonderfully overblown gown -- an artificial hybrid costume of maid’s uniform and regal Victorian dress -- provides the tableau on which Sibande unveils her story. Through Sophie-Ntombikayise\, Sibande addresses the "traditional" role of black women in South Africa and other countries with a history of black servitude.
RRULE:FREQ=WEEKLY;INTERVAL=1;UNTIL=January 13, 2013T100000
LOCATION:Spencer Museum of Art
END:VEVENT
BEGIN:VEVENT
SUMMARY:Mary Sibande and Sophie Ntombikayise Take Central Court
URL;VALUE=URI:http://www2.ljworld.com/events/ongoing/56682/
DTSTART:20120811T100000
DESCRIPTION;ENCODING=QUOTED-PRINTABLE:Emerging 29-year-old artist Mary Sibande lives and works in Johannesburg\, South Africa. This work\, the first in a U.S. museum collection\, culminates Sibande’s series of sculptural installations featuring four generations of women in her family\, all of whom worked as domestic servants. The name Sophie comes from a real and imagined collective narrative. The wonderfully overblown gown -- an artificial hybrid costume of maid’s uniform and regal Victorian dress -- provides the tableau on which Sibande unveils her story. Through Sophie-Ntombikayise\, Sibande addresses the "traditional" role of black women in South Africa and other countries with a history of black servitude.
RRULE:FREQ=WEEKLY;INTERVAL=1;UNTIL=January 13, 2013T100000
LOCATION:Spencer Museum of Art
END:VEVENT
BEGIN:VEVENT
SUMMARY:Mary Sibande and Sophie Ntombikayise Take Central Court
URL;VALUE=URI:http://www2.ljworld.com/events/ongoing/56682/
DTSTART:20120811T100000
DESCRIPTION;ENCODING=QUOTED-PRINTABLE:Emerging 29-year-old artist Mary Sibande lives and works in Johannesburg\, South Africa. This work\, the first in a U.S. museum collection\, culminates Sibande’s series of sculptural installations featuring four generations of women in her family\, all of whom worked as domestic servants. The name Sophie comes from a real and imagined collective narrative. The wonderfully overblown gown -- an artificial hybrid costume of maid’s uniform and regal Victorian dress -- provides the tableau on which Sibande unveils her story. Through Sophie-Ntombikayise\, Sibande addresses the "traditional" role of black women in South Africa and other countries with a history of black servitude.
RRULE:FREQ=WEEKLY;INTERVAL=1;UNTIL=January 13, 2013T100000
LOCATION:Spencer Museum of Art
END:VEVENT
BEGIN:VEVENT
SUMMARY:Mary Sibande and Sophie Ntombikayise Take Central Court
URL;VALUE=URI:http://www2.ljworld.com/events/ongoing/56682/
DTSTART:20120811T100000
DESCRIPTION;ENCODING=QUOTED-PRINTABLE:Emerging 29-year-old artist Mary Sibande lives and works in Johannesburg\, South Africa. This work\, the first in a U.S. museum collection\, culminates Sibande’s series of sculptural installations featuring four generations of women in her family\, all of whom worked as domestic servants. The name Sophie comes from a real and imagined collective narrative. The wonderfully overblown gown -- an artificial hybrid costume of maid’s uniform and regal Victorian dress -- provides the tableau on which Sibande unveils her story. Through Sophie-Ntombikayise\, Sibande addresses the "traditional" role of black women in South Africa and other countries with a history of black servitude.
RRULE:FREQ=WEEKLY;INTERVAL=1;UNTIL=January 13, 2013T100000
LOCATION:Spencer Museum of Art
END:VEVENT

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